Showing posts with label mackie. Show all posts
Showing posts with label mackie. Show all posts

Allen & Heath AH-ZED-12FX 12-Channel Mixer with USB Interface and Onboard EFX Review

Allen and Heath AH-ZED-12FX 12-Channel Mixer with USB Interface and Onboard EFX
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Great unit once I got A good one that worked right. Perfect size/features for a home recording, and live performance. I do some ripping/remixing for my radio show.
1st & 2nd machine didn't have a working CODEC. A&H knew exactly what was wrong when I called and had repair people lined up in my area to fix it!!!
I sent it back to Amazon 2X before I got a good one.
Amazon was very helpful in getting squared away.
Check all feature on arrival. JM

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Complementing the existing ZED series, the ZED FX has been developed around an FX chipset purely for the new model. Our DSP engineers have been working hard, crafting and refining beautiful reverb algorithms. The effects are available nowhere else - this quality and integration is only available from the ZED FX. The ZED-12FX is a 12 channel mixer with USB interface and onboard EFX. It has 16 essential time-delay effects which add to the already bulging feature set. The mixer is ideal for small groups who don't want to carry around an effects unit with their gear but who still want great quality FX at their gigs and on their recordings.

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Speaker Cover Review

Speaker Cover
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This cover appears to be of good quality, but unfortunately it is too small to fit the Behringer B215 series speaker. I'll have to send it back.
If you have JBL EON 515's or Mackie SRM450s, you should be OK.


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Mackie MR5 MR5 Reference Monitor (Single Speaker) Review

Mackie MR5 MR5 Reference Monitor (Single Speaker)
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FIRST THING FIRST...
Forget speaker set-ups and systems that unnecessarily add treble and bass to the music you're listening to including ones with active equalization that determine on your behalf what you're ears should be perceiving at the moment and eliminating other frequencies that it believes aren't as audible anyway.
How about jumping back into studio monitors that deliver music the way the recording engineers meant it to be heard. Too expensive? Hold on. Not with a Mackie MR5. The price you pay is per piece all right, but don't forget these are powered speakers. And at this price point you get a flat frequency response which means there is no colorization. What is recorded is what you get.
Studio monitors used to be so expensive and out of reach that consumers were bombarded with those other brands that promised to wow your ears with a "perception" of full spectrum audio rather than actually provide your ears with, umm, a full spectrum.
Finally Mackie decided to release lower end audio gear with high end results that appeals to everyone else outside of the audiophile world.APPLICATION...
These speakers are built with 3 types of audio connections.
1. Balanced XLR
2. Balanced TRS (which also can accept unbalanced TS)
3. Unbalanced RCA
Originally intended for near-field monitoring as well as accurate enough for home studio mixing. But knock yourselves out in using these anywhere you see fit. If it's good for mixing, it's great for whatever else.
I used it as my desktop computer speakers. If your computer has a 1/8 stereo output a.k.a. mini-stereo then just purchase a simple (but solidly constructed) 1/8" stereo to RCA cable.HOW DOES IT SOUND...
GREAT! However, you need to re-orient your ears if you've been used to unnecessary and heavy equalized equipment. Take a moment to listen to your favourite CD. One that you are very familiar with from beginning to end. Turn off or flatten the equalizer setting. Take one pass on it and determine if you really to highlight or defeat certain frequencies only because you either have wall to wall carpeting and draperies or bare walls.
You're goal is to listen to music the way it was recorded. If you have unbiased speakers in all frequency range then you will notice nuances in the recording that you never even thought was there. Seriously.WHAT ELSE DO I NEED TO KNOW...
Although this is the smallest of the Mackie studio monitoring speakers, it's still a force to be reckoned with in terms of performance, size and weight. And that's a good thing. It looks, feels and performs like any solid studio monitor. Nothing has been spared. Rather than spend money on marketing, they spend it on actual R&D and build quality.
Frequency response of 60HZ-20KHZ (+-3db) with internal bi-amplification of 55 watts (85 watts peak) for the low frequency and 30 watts (50 watts peak) for the high frequency. And don't be fooled by other speaker manufacture ratings stating 200 watts power which don't mean a thing unless they meant peak power before the internal fuse blows while already clipping at maximum distortion. Did you hear how loud your built-in television speakers can get. To think they are rated from 3 to 6 watts only. So with these truthful power rating, these Mackies are LOUD! Your ears neighbours will come knocking first before you can blow the fuse of these speakers.COMPARED WITH...
The truth is I was perfectly happy with my Blue Sky MediaDesk 2.1 speakers just because I couldn't afford a THX pm3-approved Mackie HR624 at that time. The frequency response was awesome at 35HZ-20KHz. The speakers were fully sealed which provided less distortion and true bass output. I tossed the boxes so I decided to sell them when I moved cross-country than risk damaging perfectly great speakers.
I now moved the Mackie MR5 pair to the living room and disabled the built-in speakers of the television and then obtained a pair of KRK Rokit Powered 6 Generation 2 studio monitors which is equally accurate as the Mackie, but has better frequency response at 48HZ-20KHz (+-1.5db) due to it's 6" low frequency driver.WHAT TO GET...
If you're budget allows for a Mackie, I would get an MR5. A cheaper alternative but still along it's price range is the KRK RP5G2 which also comes with a 5" low frequency driver. But for the same price as the Mackie MR5 is the KRK RP6G2 with better frequency response and a hefty weight and size to boot.
The difference is the porting on the cabinet. Mackie believes in using a rear port, while KRK argues a front port is better as it allows more flexible placement without fear from unnecessary bass response due from the rear ports when placed nearer against the wall.
My recommendation is to listen to both at your nearest studio monitor dealer that stocks both and decide. In the future you can expand to a 2.1 configuration to extend the bass response even lower by purchasing their own respective subwoofer counterparts. As usual, KRK products are better priced so this might affect your decision now the same way it did to me.
If you want a 2.1 configuration right now, then the Blue Sky MediaDesk 2.1 with it's sealed cabinet enclosure all throughout will make sure that the bass you hear is the bass coming from the subwoofer and not from any port which only exists to help extend bass response to a lower frequency.
Either of this you won't go wrong. But please do yourself a favor and get yourself a decent studio monitor than an exorbitantly priced speaker set from a manufacturer that (1) either advertises amplification and frequency response that can be achieved at full clipping power or (2) won't even advertise their specifications at all and then claim their "actual" performance doesn't do justice to the over-equalized supposed sound output.

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Thanks to its sophisticated design, our 5.25-inch MR5 Mackie Reference Monitor delivers superior sound with impeccable clarity?at an unbelievable price.

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Seismic Audio - 18" Raw Subwoofers/Woofers/Speakers - PA DJ Pro Audio Replacement Sub - 500 Watts RMS - 120 oz Magnet - 8 Ohms - 4" Voice Coil Review

Seismic Audio - 18 Raw Subwoofers/Woofers/Speakers - PA DJ Pro Audio Replacement Sub - 500 Watts RMS - 120 oz Magnet - 8 Ohms - 4 Voice Coil
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I bought a pair of these to install in the sub cabs that I reviewed on another post.
I bough them directly from the company several months ago, I gotta tell you, at the price I paid these woofers (119 bucks hello) surpassed my expectations in build quality and in the quality of materials, this isn't just some cheap woofer speaker this is a professional audio sub woofer that will rock the bottom end of your world yes, I would recommend these woofers to anybody who needs some woofers with these spec's anytime, I'd purchase more from Seismic in a heartbeat if I needed them.. did I mention that these guys also have a free shipping policy on about everything they sell? It's not cheap to ship a 20 - 30 pound swoofer so add another 20 - 30 dollar benefit in with dealing with these folks.. I'll also take this opportunity to commend these folks for their professionalism, if you call them somebody actually answers the phone! imagine that! If you need woofers or a host of other pro audio products you owe it to yourself to check out Seismic audio.. they Rock!

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Mackie PROFX12 12- Channel Compact Effects Mixer with USB Review

Mackie PROFX12 12- Channel Compact Effects Mixer with USB
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While researching this unit I was surprised at the limited number of online reviews available. Perhaps that's because until recently I didn't even know this mixer existed - Mackie does not appear to be promoting this product line as heavily as its Onyx series of mixers and its well-known VLZ-Pro line. That's a shame, because this really is a wonderful mixer that adds new features not found on their older VLZ series while maintaining Mackie's high standards of product quality and durability. I have owned a Mackie 1402-VLZ mixer for many years, and it's been a versatile, reliable mixing tool throughout that time. But I've pined at times (mostly when mixing live performances) for the convenience of a mixer with on-board digital effects. The ProFX12 is perhaps the ideal small ensemble live performance mixer. The similarities to Mackie's VLZ series mixers are numerous - the input/output section and channel strips are very similar, providing immediate familiarity for anyone who's used a Mackie before. A key difference worth highlighting: the level set/solo function of the VLZ series has been replaced by individual level set LEDs on each channel input. I prefer setting pre-fader gain with the benefit of a multi-segment LED indicator, but the single, channel-specific LED indicators are nonetheless perfectly serviceable. The mic pre's on the ProFX mixers are not Mackie's highly vaunted XDR design found on their VLZ-Pro mixers, but they are clean, quiet, high quality mic pre's that will satisfy just about any live sound reinforcement or recording application (unless perhaps you're an engineer in a professional studio mixing the next New York Philharmonic performance for a 64bit, 192kHz audiophile recording). One feature missing from the ProFX mixers is individual channel outs - if you are doing multitrack recording and need this flexibility, you'll need to look elsewhere. Also gone is the VLZ-series' ALT 3-4 routing for the mute switches. I never once used this feature in all the years I have owned my 1402, so I doubt it's a deal-breaker for anyone pondering this purchase. The real prizes on this mixer are those new features missing from the VLZ designs: on-board effects, a graphic EQ, and (drum roll) USB connectivity. Mackie really did their homework on their RM 32-bit effects chip. Ten of the sixteen effects are reverbs, and they are uniformly warm, articulate, rich-sounding 'verbs that add wonderful ambience to your mix. The only effect 'editing' here is more or less, so you pick the room size and turn it up or down. One nice related feature is a footswitch for turning the effects on or off during live performance. (And if you need the added flexibility offered by an external effects unit, the effects send mix is mirrored on a mono FX send that can be coupled with a pair of stereo returns.) The graphic EQ is another nice addition that offers more sound sculpting tools than Mackie's very musical 3-band channel strip EQ knobs. And finally, the USB connectivity makes this a fully modern mixer that can plug as easily into your computer as it can into a pair of powered PA monitors. Traction3 software can be downloaded for free if you don't already own recording software.
This unit is made in China if that matters to you. My old Mackie was made in Woodenville, and Mackie took pride in that fact. I do wish this unit was US-made, but I'm afraid it's virtually impossible to find a mixer in this price range with these specs and features that is built domestically.
I'll never get rid of my 1402-VLZ, but it's probably going to collect a lot more dust in the coming years now that I own the ProFX12.

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Mackie 1202-VLZ3 12-Ch. Compact Recording/SR Mixer Review

Mackie 1202-VLZ3 12-Ch. Compact Recording/SR Mixer
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Superb engineering at a very reasonable price is what I thought after using and testing the Mackie 1202. I work in a physics lab to which I took this mixer to see if it will perform to the level Mackie claims. To my surprise, mine exceeds Mackie's specifications: for example, they claim a very low 0.0007% distortion and linear response to 60000 cycles, mine far exceeds those specifications (measured on lab quality equipment). I also have a small home recording studio and work, part time, as a DJ and play in a small band. I needed a mixer with very low distortion, without costing a fortune, for my home studio and capable of handling mobile DJ work (MP3 from a computer) and work with a band as well so that is why I selected this unit. It is not specifically aimed at the DJ market-no cross fader-but works quite well with only a little bit of practice. Someone did some very careful thinking when designing this superb little mixer.

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New from the people who created the world?s best-selling compact mixer line, The Mackie 1202-VLZ3 Premium 12-Channel Compact Mixer with premium XDR2? mic preamps and a rich feature set. It?s ideal for live sound or project and recording studios.

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Mackie 1402-VLZ3 14-Ch. Compact Recording/SR Mixer Review

Mackie 1402-VLZ3 14-Ch. Compact Recording/SR Mixer
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This mixer is great!, I used one at a little leage game, sounds great, works great, just asome. It has special pre-amps for amplifing whispers and screems. It isn't a bus mixer, but than again, it is!!, if you mute it, it is muted, but, it sends it to alt 3-4, wich you can send to a monitor, or something als, or you could select it to go to the sub room mix channel. This mixer has 2 alts. wich is very handy for many reasons. It TONS of outputs, an xlr main out, and a 1/4 inch main out, along with alts. You can run an effects mixer through it in any of the channels.
I love it!!
I recomend it to anyone!!
(I'm useing my mom's accound :)

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New from the people who created the world?s best-selling compact mixer line, the Mackie 1402-VLZ3 Premium 14-Channel Compact Mixer with premium XDR2? mic preamps and a rich feature set. It?s ideal for live sound or project and recording studios.

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Mackie 1642-VLZ3 16-Ch. Compact Recording/SR Mixer Review

Mackie 1642-VLZ3 16-Ch. Compact Recording/SR Mixer
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I'm not a professional engineer but I have a passion for recording music. I've been recording demos for my own bands and friends' bands on a shoestring budget for over 15 years, on and off. I've been using the smaller Mackie VLZ Pro 1202 since about 2003 mainly for recording to and monitoring Cubase for PC but it has been useful for other applications as well. (It's a dinky but rugged little mixer that squeezes into a backpack, takes some knocking about and still sounds absolutely amazing.)
Lately however I have been doing more live recording, location recording and I am upgrading my home recording setup from spare bedroom to big serious garage conversion and really needed more channels. I needed a mixer that was going to sound really neutral and noise-free with at least 10 respectable mic pre-amps, aux outs for foldback, group channels for drum pre-mixes and 8 direct outputs for recording to my 8-buss Delta soundcard or my Alesis ADAT 8-track recorder (it may be obsolete but it's still brilliant) and which could take any source that I plugged into it. I did my homework (I always spend weeks reading reviews and product specs before I lay out this sort of cash on anything) and found that the 1642 VLZ3 fitted the bill perfectly. Mackie again. (And I managed to find a ex-display bargain!)
When it arrived a few weeks ago I didn't have time to read the manual before my first live location recording job came up. It was no trouble at all to use, very intuitive and I was able to provide foldback and playback to the musicians as well as using the direct outputs to record the 8 individual mic inputs to tape. One thing that I was impressed by was the red overload light on each strip that lets you know if you're driving things too hard. When that red light comes on you better not ignore it!
Again, it is very rugged and despite being heavy it is easy to carry - the light aluminium rim at the front of the desk is actually a hollow metal handle.
I could bang on and on about the sound quality. The low noise floor and the expansive headroom. I cannot fault this mixer at all. My old Mackie VLZ Pro has already lasted over 6 years (including some international flights, a festival, some gigs) and still sounds perfect. Now Mackie say that the VLZ3 series is a major improvement on the VLZ Pro series for all sorts of reasons. I can't recommend this highly enough. This is a serious professional quality mixer for a few hundred bucks. Obviously different people are going to have different criteria and different budgets when it comes to choosing mixers, but I suspect you'd have lay out a hell of a lot more money to get even a small improvement on this sort of quality. It's absolutely perfect for me anyway, I'm a happy bunny.

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New from the people who created the world?s best-selling compact mixer line, the Mackie 1642-VLZ3 Premium 16-Channel/4-Bus Compact Mixer with premium XDR2? mic preamps and a rich feature set. It?s ideal for live sound or project and recording studios.

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Brand New Mackie Travel Bag for 1604-vlz3 and 1604-vlz Pro Review

Brand New Mackie Travel Bag for 1604-vlz3 and 1604-vlz Pro
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It's a really nice bag. Has plenty of padding on the inside to protect the faders and controls. If you couldn't already throw your Mackie board down the stairs, you certainly can now. My original CR-1604 fits in it as well, of course. The only bad part is, it's $50, no matter where you get it from. That's certainly some expensive MACKIE embroidery on the outside. But I'm a Mackie fan, and proud to show it.

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Mackie Onyx 820i FireWire Recording Mixer Review

Mackie Onyx 820i FireWire Recording Mixer
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After an existing audio interface went bad, I ordered the Mackie Onyx 820i as a replacement (not from Amazon), setting out to love the thing. I did at first, but after noticing some limitations, I am exchanging it for a different setup. My biggest gripe is the low output to the DAW. At detent, the highest level captured in a waveform was -22dB. At full gain (firewire send is pre-fader, so gain is only option for adjusting level unless you route everything - and I do mean everything - through a preamp) I was capturing -16dB, regardless of instrument (this introduced a lot of noise when recording guitar). A follow up call to the vendor from which I purchased it revealed that other customers had noted the same characteristic. Some would argue that this is just fine when recording in 24-bit, but I'd prefer to make that adjustment on my own rather than having hardware make the decision for me. Gripe #2 - no control panel. The only setting you can adjust outside of the DAW software is buffer size.
Maybe this thing needs someone smarter than me at the wheel, but all the same, I'm going with a different interface.

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Mackie Onyx 1640 16-Ch./4-Bus Premium Small-Format Mixer Review

Mackie Onyx 1640 16-Ch./4-Bus Premium Small-Format Mixer
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Look, if you're seriously considering a board of this type in this price range, you don't need a recitation of the specifications in a review. What you are more likely looking for is an opinion. Mine is that you have to rate a board in the right context. You wouldn't compare this to a digital studio board, for example, except to show why the markets are different.
The Onyx series board are basically analog live sound boards enhanced in a number of ways making them more appropriate to: 1) pro use, and they see a LOT of pro use, 2) small studio use, and 3) recording use, live or studio. The channel strips on the 1640 have everything you want 95% of the time. The board has tons of headroom. It's very quiet. The faders and knobs are buttery smooth. The build quality is excellent, inside and out.
Forget "Perkins" this and "Boutique" that in the Mackie propaganda. Go listen to the mic pre-amps - they are clean, neutral, and high-quality. Say what you will about the characteristic sound of certain pre-amps, but in my opinion you want neutral when they're in a board and not outboard gear.
The Firewire card works flawlessly - I've never had a single burp from the thing. It delivers a stereo mix for quick and dirty live recording as well as the individual channels.
It's a 4-bus, 6 send design. Plenty, again, for most uses, and obviously very well-suited to any reasonable portable use. There are lots of good reasons to keep the board in the analog domain, even in the studio, but as that's a religious war, I won't jump in except to say that this is analog well done.
Some things I could do without or done differently. DB-25s for direct outs, for example. The rotating pod feature doesn't do anything for me. At some point, something more than 96k on the Firewire board would be good.
Bottom line is that this is a well-positioned, well-engineered, widely-accepted board that is flexible enough to cover a wide range of activities. Unlike many compromise solutions, this one does most everything very well.

Click Here to see more reviews about: Mackie Onyx 1640 16-Ch./4-Bus Premium Small-Format Mixer

The new FireWire capable Onyx 1220, 1620 and 1640 premium analog mixers come equipped new Onyx mic preamps and our completely new Perkins EQ circuitry.

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Mackie 802-VLZ3 8-Ch. Compact Recording/SR Mixer Review

Mackie 802-VLZ3 8-Ch. Compact Recording/SR Mixer
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I am relatively new to professional audio with my budding voice-over operation and small home recording studio. I read about a variety of mixers. There are many models and most do essentially the same things. What sold me (other than the extensive feature list) was a YouTube video in which Mackie engineers tortured the 802-VLZ3 and several other makes of similar smaller mixers. When the 802-VLZ3 survived being driven over by a Jeep and the others didn't, I was sold. For my home studio, the 802-VLZ3 has plenty of inputs and capabilities. The mike preamp is virtually noise-free. The controls are solid and smooth. The connectors are robust and solid. Everything has a solid feel. It's quality through and through. In the few months that I've used the mixer I have enjoyed trouble-free operation. I have yet to exceed its capabilities and my recordings come out great. This Mackie mixer is a solid performer and a great first mixer for the home recording newbie.

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The ultra-compact 802-VLZ3 Premium 8-Channel Mic/Line Mixer builds on the legacy of Mackie?s top-selling VLZ mixers. Three studio-grade XDR2? (Extended Dynamic Range) mic preamps and proprietary 3-band Active EQ give the 802-VLZ3 its high-headroom, low-noise functionality. Its super-sleek, extra-rugged steel chassis is packed with an extensive feature set, including 5 full channel strips, a dedicated Stereo Return channel, a comprehensive control room section, phantom power for condenser mics, and bright 12-segment stereo meters. The 802-VLZ3 delivers the same phenomenal sound and performance that makes the makes the 1604-VLZ3 prized in studios and on stages around the globe.

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Pyle-Pro PMX1608 - 16 Channel 1200 Watts Powered Mixer Review

Pyle-Pro PMX1608 - 16 Channel 1200 Watts Powered Mixer
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i purchased this mixer about a month ago and i have to say that for a 16 channel mixer i am very disappointed with some of the features. first of all this has no monitor mixes so you will need powered speakers as your monitor which can only be connected to a main mix so you will need to control your levels on that powered speaker. furthermore unless you are a bass player or a keyboard player with you own amp, you will have to deal with every thing else coming through the same speakers. the speaker left out make a funny static noise when a speaker is plugged in the 1/4 inch inputs seem a Lil slack and not very durable. it does have some good features like the rec in and DJ function and also 2 separate lines for audio. overall i will not recommend this mixer to anyone unless you just need a mixer for a small studio where you will only need a small mix

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Mackie Onyx Blackjack Premium 2x2 USB Recording Interface with Tracktion 3 Music Production Software Review

Mackie Onyx Blackjack Premium 2x2 USB Recording Interface with Tracktion 3 Music Production Software
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I was worried from reading the other reviews that I would have problems. (including reviews outside of Amazon)
After doing a lot of research I realized that it was probably the right fit for what I want.
I have a MAC Power Book - OS 10.6.6
I had been using only the 1/8th inch jack on the side for input and that, obviously, wasn't cutting it.
I wanted to use an electric guitar and a near field mic for vocals - specifically a Sure SM57
- because I'm recording in a place where I can't control the outside sounds and if I want to get a clean sound without a lot of background noise
and a low noise floor, I knew I would need the less sensitive and more directional mic.
The Sure SM57 needs a pre-amp that generates at least 54db to 60db, because it's a dynamic mic.
The Mackie Onyx Blackjack 2x2 USB was the only USB box I found who's pre-amp was that strong.
Since I have a MAC there was no "driver" problems talked about in other reviews.
I plugged the box in, went to the System Preferences >Sound > switched the "Audio In" to Onyx Blackjack, started up "Logic" and it worked instantly.
No issues at all. Good quality sound. No Clicks, No Latency. Simple and Perfect for what I want it for.
I tested it on Electric Guitar and then vocals with the SM57, and with some larger diaphragm mics.
It does the job I want it to do, and I give it 5 stars.

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Marathon MA-CFX16 Flight Road Case Review

Marathon MA-CFX16 Flight Road Case
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This case has proven to be a great case. You can use the board while it is in the case. The locks are very strong, and everything fits like a dream. I would recommend this case and any of the others that Marathon makes based on this one. And the price is perfect for a quality product of this kind.

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Mackie Onyx 1620i FireWire Recording Mixer Review

Mackie Onyx 1620i FireWire Recording Mixer
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this mixer is amazing. if you have wanted to build a project studio or record your band in your rehearsal space, this is the mixer you need.
the pre's sound great. very quiet (even when jacked).
the eq is really fun to play around with. you can really find the sound you are looking for with a few tweaks.
i'm using Ableton as my recording DAW. it's really snappy and after a few tweaks, very hard to notice any latency.
the Firewire I/O also works with Pro Tools, which is great. the driver is available for purchase on the mackie website.
for this price, you won't find anything even close to the same ball park.


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Mackie Onyx 1220i FireWire Recording Mixer Review

Mackie Onyx 1220i FireWire Recording Mixer
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I was recently looking into ways of kicking my podcasting setup up a notch, and settled on the Mackie Onyx 1220i FireWire mixer. I'm extremely pleased with this decision.
Obviously you don't need something this fancy if you're just getting started. And indeed I've been producing my show, Otaku no Podcast, for almost 4 years using just a standard USB microphone. But I was beginning to outgrow that setup. Adding a co-host was one factor that pushed me to upgrade. Having each host on their own mic just sounds much better than having everybody crowd around one mic "jazz singer" style. But what really made me upgrade is dealing with group Skype calls. I have been using computer-based Skype call recording software until now, which worked well enough when I only had one other person on the line with me. But things quickly degenerated when I had more than one additional Skype caller. The way Skype call recording software works is that it puts you on one channel, and all other Skype callers on a second channel. Which is fine if you only have one other caller on with you. But if you have two or three (or more) people on a Skype conference call, then they all get mashed into one channel. Which means that, if one person coughs or sneezes while someone else is talking, or somebody's Skype connection goes haywire, or an ambulance/police car screams by in the background of someone's audio, you're in a world of hurt. There's just no way to edit around that.
What I really needed was a way to put each individual Skype caller on their own channel. Which meant that I needed a multi-channel mixer. The Mackie 1220i's four XLR mic inputs means that I can have up to four "live" cohosts, each on his or her own mic. But its two AUX buses means that, using a "mix minus" type setup, I can have two Skype callers each on their own channel. Mix minus means that the Skype callers can hear everybody else, both myself and my "live" cohosts as well as other Skype callers, but they don't hear an echo of themselves (which gets really weird and annoying). And all of these channels get sucked into my Mac where I can individually tweak or fiddle around with them to my heart's content. Finally I have a Zoom H4n solid state recorder plugged into the mixer's "main mix out," which serves as a backup recording in case the computer recording fails for some reason (it's been known to happen). This has turned out to be a very flexible setup, and the Mackie has performed like a champ. It's well built and rock solid.
Unfortunately, the way "mix minus" works is that you need one AUX channel for each Skype caller. So with this setup I can have up to two Skype callers. If I wanted more, I'd need to move up to a bigger board with more AUX buses such as the Mackie Onyx 1620i, which has four of them. Maybe next year.


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