Showing posts with label music. Show all posts
Showing posts with label music. Show all posts

Gemini DJX-03 On-Ear Professional DJ Headphones Review

Gemini DJX-03 On-Ear Professional DJ Headphones
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I purchased the Gemini DJX-03 headphones after searching all through amazon for headphones that weren't too expensive, but were sturdy. When I purchased these headphones, I was really excited: Good quality sound, comfortable, the cord was nice and long, and on top of that they were adjustable. FANTASTIC, even. Unfortunately in a mere week of use I put the headphones on and found that the right side was dead. Almost completely useless on the right side, although it is still functioning on the left. I was very frustrated because of how quickly they seemed to die, and I took very good care of them.

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2 CDJ1000 MK2 & NUMARK FX5000 Review

2 CDJ1000 MK2 and NUMARK FX5000
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Despite of all magazine reviews, the Pioneer CDJ-1000Mk2 is the new 1200 of the industry (if you know what i am talking). It has 4 types of pich 6% 10% 16% and Wide (a.k.a 100%) the large very large Dial, that has very touch sensitve feeling so if you are scrach DJ, or any type this is the most versatile dial you can buy... forget denon.. forget techics (the new one.. not the mk2)... this is the baby every one has on raves and big shows. the screen is brighter than the Mk1 version (even do, i havent seen mk1 in action).
it has revers funtions, that allows to back spin the cd even if scraching... also its quick!! loading and un-loading, it has 3 cue points, so if you are undecide , set them up and change your mind with out setting up again the cue points
the only bad thing about this cd player its that its expensive so if you are one of those bedroom DJ, you might wana wait till you get 2k so you can buy a pair.


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The CDJ1000MK2 is a powerful tool for live performance and studio use.It is equipped with professional options such as looping, digital I/O, 16 second shock-proof memory for normal CD play and much more.With all its options, it can be seamlessly integrated into a DJs set up.With vinyl scratch functions and turntable feel, it opens up creativity to all that music that may easier to find on CD.

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Native Instruments Kontakt 3 Software Sampler Review

Native Instruments Kontakt 3 Software Sampler
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as other people said here and as most people know, Kontakt is an amazing instrument. With bad customer support. I especially like version 3, it has a neater interface and the sounds and possibilities are so many. However, customer support is very bad, I was installing the libraries by directly coping them on the HD, and I could not get Kontakt to load the sounds even though it located all the libraries. Customer support blowed me off by simply saying that they don't offer support unless I install with the installer. Which basically meant I had wasted many hours away and I had to install everything from scratch. What they said would make sense, were it not for the fact that with a 33 gb library, they should do a better job and allow for the libraries to be copied directly onto the HD without all this dumb installer business. What's the problem with that? None, the customer would save a lot of time and be able to install the libraries a bit at a time and however he think fit. Eastwest libraries allow the user to do just that,and it's a far easier and simple process.
Writing many times to Native Instruments customer support was just useless, the only time they care to save is theirs, not yours.

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Sound X Kids Electronic Smi-1340p Keyboard Dj Mixer-pink Review

Sound X Kids Electronic Smi-1340p Keyboard Dj Mixer-pink
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This toy was given to my son for his 9th Birthday and less than 2 months later it is completely broken, will not even turn on. We have tried several packs of brand new batteries and no luck. MONEY DOWN THE DRAIN!!

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TASCAM DP-008 8-Track Digital Portastudio Review

TASCAM DP-008 8-Track Digital Portastudio
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After wanting a digital multi-track for a long time, I finally decided on this model, and I'm glad I did.
One thing that is not included in a list of specs is the usability factor. I've purchased my share of electronic devices for making and recording music over the years. Just looking at a dry list of specs has often been my method of deciding on what to buy. Well, on paper the DP-008 looks good, but it's not until you use this to cut a few tracks that you realize how well it is designed. I'm SOOOO glad I didn't buy the DP-004, as this model is clearly the results of Tascam eliminating the weaker aspects of the 4 track model just in time for the 8 track version.
I have seen a lot of digital multi-tracks that look good on paper, but to use them is a real pain. The fact that the DP-008 has all the individual track knobs means that you don't have to go flipping through pages on a menu or choosing the "hot track" in some other way. Here it's all laid out logically and makes tweaking the final stereo mix a piece of cake. Sure it would be nice if there were level sliders rather than dials, but these work just fine.
I use this model to record myself playing guitar and bass, run a Boss drum machine into it, and I record vocals with an external mic though a small mixer that has some helpful effects on it. You don't need a mixer, though, as the included mics are quite good. I am able to record several tracks, "bounce" them if I want to, and then write them to a stereo master mix. Then, I export that mix on the unit itself (sounds weird, but basically you're just creating a wav file that can be seen by a computer). The final step is connecting the DP-008 to a computer and merely dragging the song files over to the computer. I then use Audacity to convert it to an ogg file or mp3.
I use Linux and the process of transferring songs to the computer is very simple. In the past you would have received a useless cd-rom with a crappy "song transfer" program and maybe some crapware to go along with it. I'm glad that Tascam has decided to treat the customer right and state it clearly: There is no need for special software. Once you export the song, it will show up as an external storage device and you can simply transfer the files over to your computer, whether it's a PC running Windows or Linux, or a Mac.

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GLS Audio 25ft Mic Cable Cords - XLR Female to 1/4" TS Black Cables - 25' Mono Mike Snake Cord Review

GLS Audio 25ft Mic Cable Cords - XLR Female to 1/4 TS Black Cables - 25' Mono Mike Snake Cord
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The other reviewer must have bought the wrong cables for his system. These are not speaker cables. They are mic cables. I've used many of these for my mics and they are great. No buzz. No hum. Just perfect noise free mic performance. If you need a Balance Speaker Cable they can be found here: GLS Audio 25ft Patch Cable Cords - XLR Male To 1/4" TRS Black Cables - 25' Balanced Snake Cord
These are excellent mic cables. Very high quality and perfect noise free performance just as GLS has stated.

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Remo Djembe, Multi-Mask 24x12 Inch Review

Remo Djembe, Multi-Mask 24x12 Inch
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REMO is a great brand and very reliable-
this Djembe in particular I've owned for quite a few years; it's sturdy and it's gone through many a catastrophe (road trips, drum circles, gigs, friends and kids trying to hit a beat on it)... it's still in great condition
Also, I really enjoy the sound of the 12 inch. It's in a very nice medium range, but you can still get amazing bass and tenor tones.
As far as portability, it's not THAT heavy but for traveling you might be better off getting a djembe carrying case (fits on like a back pack, I'm pretty sure REMO makes them specifically for their djembesj)...
And it's aesthetically pleasing- the variation of tribal designs are connotative of their African derivative and culture.
All in all, these djembes (at any size) are a great buy for percussionists playing at any level...
You'll know it's worth it the very first time you play it.


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M-Audio Pro Tools M-Powered 8 Review

M-Audio Pro Tools M-Powered 8
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I am running Pro Tools 8 with Windows 7 64-bit and it works great. Yes, there were a few MINOR bugs with the initial release, but Pro Tools has made it very clear that Windows 7 64-bit is not yet officially supported. Their latest update however works PERFECTLY with Win 7 64-bit. In fact, the application runs very smoothly with minimal stress on CPU and memory. I typically use a lot of tracks and plug-ins. To date, this is the best application I've used in terms of system stress and audio quality.
These bad reviews seems to come from rookies who aren't quite sure how to use Pro Tools. Newer audio production apps are geared toward home studio/rookie musicians. Because of this, these same rookies pick up Pro Tools because it's the "industry standard" and immediately go back to SONAR because it's too complex for them. Just give it some time - learn the application and you'll love it.

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Pro Tools M-Powered 8 software puts the industry standard in audio/MIDI production on the fast track, letting you enter the powerful world of Pro Tools on your own terms. Pro Tools M-Powered has the same user interface as Pro Tools|HD and Pro Tools LE, all while expanding your creative hardware options to dozens of M-Audio interfaces. Session compatibility with all current versions of Pro Tools software means that you can easily move your projects between pro, project and mobile personal studios. And at just $299.95 MSRP, anyone can become a member of the Pro Tools community. Pro Tools M-Powered 8 is the serious music production choice for power, compatibility, options and ease of use--without spending serious money.

Real Pro Tools Pro Tools M-Powered is Pro Tools. There are actually three flavors of Pro Tools, all of which share the same user interface and file format. The primary distinction is the hardware they complement. Pro Tools|HD runs on elite DSP-powered Pro Tools|HD hardware. Pro Tools LE works with a variety of Digidesign hardware including the Mbox 2 family. And Pro Tools M-Powered delivers even more options via compatibility with dozens of M-Audio interfaces.
Produce with the Industry Standard--Anywhere, Anytime The combination of M-Audio gear and Pro Tools M-Powered 8 lets you work anywhere, anytime with the industry standard in music production software. Seamlessly collaborate with anybody running any version of a current Pro Tools system, including cross-platform between Windows and Mac OS X. Easily take your projects to just about any recording studio to have it mixed by a pro. Or take your pro studio projects home or on the road with you. With Pro Tools M-Powered, owners of most M-Audio interfaces instantly become members of the largest community of digital audio workstation users in the world.
Flexible and Portable--More Choices for You A wide variety of M-Audio PCI, FireWire and USB hardware interfaces are compatible with Pro Tools M-Powered software, giving you more options in where, when and how you work. Whether you need just a little I/O or a lot--or a desktop, mobile or hybrid system--you'll find the perfect solution with our PCI, USB/USB 2 and FireWire audio interfaces. Mix live and in the studio with the NRV10 interface/analog mixer. Experience compact productivity with an M-Audio audio interface keyboard. And DJs can enter the world of Pro Tools with our Torq products.
Easy to Use Elegance and power are the reasons why Pro Tools is used in the majority of professional recording studios around the world. At the same time, Pro Tools M-Powered 8 is very simple and intuitive. And once you know how to use one version of Pro Tools, you know how to work in any Pro Tools environment--from personal to pro studios. And if you want help, Pro Tools is supported by more educational materials and classes than all other DAW software put together.
Stunning New Look and Interactivity With a sleek new look, Pro Tools M-Powered 8 is as easy on the eyes as it is to use. All of the Pro Tools M-Powered functionality you know and love is still in place--now with double the inserts per channel, more customizability, easier access to editing options and more. Customize the toolbar to show only your favorite tools and rearrange them the way you want. Tile or cascade your window arrangement. Change the color of your channel strips, tracks, regions, groups, and markers to any hue. Navigate through sessions quickly using the Universe view. And with the QuickStart dialog, you can jump right into an existing session, quickly create a new session from scratch, or start from one of the new session templates.
A Well-Stocked Studio Pro Tools M-Powered 8 comes fully packed with a huge, comprehensive collection of music creation and sound processing plug-ins--giving you a well-stocked studio right out of the box. You get an incredible array of 70 DigiRack, A.I.R. and Bomb Factory plug-ins right out of the box, including EQ, dynamics, delay, reverb and many more. You can also create and play music with six groundbreaking virtual instruments from the renowned Digidesign Advanced Instrument Research (A.I.R.) group: the Mini Grand piano, Boom drum machine, DB-33 tone-wheel organ, Structure Free sample player, and Vacuum and Xpand!2 synths. See the complete list of bundled software.
As if that weren't enough, Pro Tools M-Powered 8 software also lets you take advantage of a variety of RTAS and AudioSuite plug-ins designed by the recording industry's largest professional third-party developer community. Track with powerful host-based vintage instruments from GForce and Way Out Ware. Polish your mixes with effects and mastering plug-ins from iZotope that surpass even expensive hardware. See more plug-ins from M-Audio, Digidesign and our partners.
Professional Recording, Editing and Mixing Pro Tools M-Powered 8 software enables M-Audio hardware enthusiasts to easily access the powerful recording, editing and mixing features of Pro Tools. Now with up to 48 simultaneous stereo tracks of 16- or 24-bit digital audio, and support for up to 96kHz sample rates, Pro Tools M-Powered 8 is an ideal companion for M-Audio interfaces and audio interface keyboards--whether you're recording solo or entire bands. And the optional Music Production Toolkit 2 expands Pro Tools M-Powered 8 to up to 64 mono or stereo tracks, and adds more effects and instruments, a multi-track version of Beat Detective and the Pro Tools MP3 Option.
Once you've finished your recording, you can fine-tune your performances with Pro Tools software's unmatched nondestructive editing tools. Shape sounds, compose parts, and add effects with RTAS instrument and effects plug-ins--then create polished mixes with professional mixing features and full mixer automation.
With Pro Tools M-Powered 8, your system has even more editing and mixing capabilities. Lock regions to the timeline to prevent them from being inadvertently moved or edited. Use the Automation and Controller lanes to view and edit track automation (such as volume, pan and plug-in automation) and MIDI CC data (such as velocity, pitch bend, and modulation) without changing track views. And with ten inserts to play with per track, you can now use more plug-ins than ever before.
Looping Tools Pro Tools M-Powered 8 features a variety of tools that make loop-based music creation faster and more imaginative than ever. In addition to importing REX and Acid files, the Loop Trim tool also makes it easy to turn audio or MIDI regions into loops. The Elastic Time and the new Elastic Pitch features make it a breeze to change tempo/time and pitch on the fly. As a result, you can integrate a wide variety of loops and audio files with your current session throughout the entire writing process. And DigiBase--the program's internal database--even has a Loop Preview feature that allows you to preview loops in sync, in real time, before bringing them into your session.
Transpose Audio with Elastic Pitch As a complement to Elastic Time, Pro Tools M-Powered 8 introduces Elastic Pitch, which allows you to you to effortlessly manipulate or correct the pitch of any audio region in real time, right inside the Edit window. Easily transpose an entire audio region in semitones--up to four octaves in either direction--without affecting its timing or tempo. Fix a less-than-perfect vocal performance by altering the pitch of individual notes in cent intervals. You can also create cool sound effects by linking pitch changes with time compression/expansion using the Varispeed algorithm.
Stretch Your Sound with Elastic Time Pro Tools M-Powered features Elastic Time, a powerful real-time tempo manipulation feature that makes it easy to change tempo or time on the fly. For musicians, composers and music producers, Elastic Time puts loop-based music creation in the fast lane, giving you the freedom to explore different tempos and experiment with loops and audio files that sync with your current session throughout the entire writing process. For post-production editors and engineers, Elastic Time makes it easy to stretch or squeeze audio tracks to fit video time frames, using high-quality algorithms that make your time manipulation virtually undetectable.
With Pro Tools M-Powered software, you can change the tempo and timing of loops, music, dialogue and other sound files without cutting up audio. Easily create loops from any audio file--even entire compositions--with the help of powerful tempo and transient analysis. Want to hear how a certain audio bit will sound in your song? The new Context Preview lets you quickly audition loops and audio files in sync with the tempo of your session. Even imported audio files and loops automatically conform to match your session's tempo.
Pro Tools M-Powered also makes it easy to perfect the timing of performances. You can improve errant beats by quantizing audio to your session's Bar|Beat grid--or to grooves extracted from other audio or MIDI performances using the Beat Detective feature, which offers better peak detection accuracy than ever before. You can also fine-tune "Elasticized" regions, with precision control over each individual beat, using the new warp track view and warp markers. You can even make the same precise changes across multiple grouped tracks while preserving timing offsets in multitrack recordings, such as with drums.
To ensure that you get the highest quality results, Elastic Time delivers some of the best-sounding processing in the industry. You can choose from several premium time-stretching algorithms on a per-track basis. You can even adjust the decay and processing window length to tailor the audio processing for each track, rather than settling for a one-size-fits-all algorithm.
Comp Tracks to Perfection Creating flawless performances is easier than ever with Pro Tools M-Powered 8. New track compositing features let you quickly and easily piece together the best possible version of a performance from multiple recording passes. Simply loop-record multiple takes on an Audio track, view and audition the takes in Playlist view, select the best parts from the track's alternate playlists, and copy them to the main playlist with a single click. You can also rate regions on a scale of one to five to help identify which takes you like the most when compositing playlists.
Advanced MIDI Production Pro Tools M-Powered software's fully integrated MIDI sequencer and editor allow you to record, edit, and mix up to 256 MIDI tracks alongside your audio tracks. Dedicated Instrument tracks combine the audio and MIDI elements of a given virtual instrument into a single channel strip to streamline your workspace. Launch your favorite instrument plug-in to get the sound you want. Engage loop recording to quickly develop a multi-layered drum pattern, then use Groove Quantize or Groove Templates to give it the right feel. Switch to MIDI Step Input to lay down a difficult passage. Turn on real-time MIDI processing to quantize your performance as it goes down.
Pro Tools M-Powered 8 also features a comprehensive array of new MIDI tools to streamline production with both virtual and traditional instruments. Gain extensive MIDI editing power through MIDI Editor windows, which can display MIDI and automation data for Instrument, MIDI and Auxiliary Input tracks. Work with new features that let you separate, consolidate and mute MIDI notes; scrub and shuttle through parts; view superimposed MIDI and Instrument tracks for easier arrangement editing; color code MIDI notes by track, type or velocity; audition velocity changes; and play MIDI notes when tabbing. Edit MIDI automation and continuous controller (CC) data through multiple Automation and Controller lanes. You can even watch your musical handiwork scroll by in real time during playback.
Score Your Music Based on the Sibelius notation engine, the new Pro Tools M-Powered 8 Score Editor window lets you view, edit, arrange and print MIDI data as music notation. Whether you want to compose music using the notation tools--or transcribe recorded, imported, drawn (with the Pencil tool) or step-entered MIDI data into notation--the Score Editor features everything you need and nothing you don't. Write parts on a single staff--treble, bass, alto or tenor clef--or grand staff. Place and edit notes, and edit the meter and key signature on a whim. Add chord symbols such as Dm7 and guitar chord diagrams to sessions. Transcribe MIDI parts in real time. Print out a score in its entirety or print only certain instrumental parts. You can even export sessions as Sibelius (.sib) files for further finessing in Sibelius.
ReWire Torq and More Fans of M-Audio Torq DJ software and other standalone applications can utilize ReWire within Pro Tools M-Powered for the best of both worlds. Simply send Torq software's output streams into Pro Tools M-Powered via ReWire for further mixing and processing. Pro Tools M-Powered also accepts MIDI directly from ReWire applications for recording controller data to a Pro Tools MIDI or Instrument track. With Pro Tools M-Powered and ReWire, the creative possibilities are endless.
Control Surfaces If you want the tactile feel of a pro console while enjoying the benefits of a personal or project studio, Pro Tools M-Powered supports both the M-Audio ProjectMix I/O and Digidesign Command|8. Both give you control over the software's mixing and transport functionality. ProjectMix I/O even incorporates a built-in 18 x 14 FireWire audio interface complete with eight preamps so you don't need any extra gear. If you're a DJ, Torq Xponent gives you a familiar DJ mixer surface combined with an audio interface and RCA outputs. And now with Pro Tools M-Powered 8, you can map plug-in parameter controls to almost any encoder on your controller, and access each track's ten inserts.

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T.90 USB TURNTABLE Review

T.90 USB TURNTABLE
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I bought this unit due to the fact that it is direct drive, has a quality S-shaped tone arm, and plays 78's. I have three problems with it, though. There is no cue lever. There is no auto return at the end of a record. And the dust cover is cloth. This means the record is exposed during playback. More importantly, you have to be very careful when removing the cloth cover that it doesn't snag the stylus. This happened to me last week, and my favorite Stanton 6800 EEE Mk111 stylus was ruined. I am going to be more careful. I am also going to see about adapting a plastic dust cover from another turntable.

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KRK KNS8400 Studio Headphones Review

KRK KNS8400 Studio Headphones
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I have had a pair of the KRK Rockit8's for over a year now and just got these headphones about a month ago, and like their advertising, they are the same sound. I am very pleased with these, I can actually do a little mixing and beat-making with them. They are also the most comfortable closed ear headphones I've ever worn. If you have KRK monitors and love them, you will love these headphones.

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Yamaha DJXIIB DJ Box That Rocks with AC Adapter Review

Yamaha DJXIIB DJ Box That Rocks with AC Adapter
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OK, Let's get one thing straight people. If you are a DJ, think your a DJ or are expecting that this will perform like a Pro DJ system...YOUR DREAMING! The Yamaha DJX is the adult version of getting your first toy keyboard, guitar or heck even "My First Sony". If you want to become a DJ or just want to fool around this is the BEST machine on the market. The price and features set it far above any of its competitors. With 700 patterns, 10 effects and 73 scratching effects, it will take you a year to examine the diversity of music that can be made. I bought this machine to add flavour to my guitar and drum tracks. When I took it out of the box I was hooked and can't put it down. A creative individual with limited electronic knowledge will be able hook this up to Midi, or even a 4-track recorder. The instruction manual is a godsent, explaining in immaculate detail how the unit works. It comes with 100 tips which are invaluble as well as software that unlocks even more information. Keep in mind that this is not a pro unit and you will be extremely BLOWN AWAY by what Yamaha has delivered in such a small package.

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Yamaha's DJXIIB music and effects box--affectionately known as "The DJ Box That Rocks"--gives you digital power and versatility alongside an enormously phat 'n' funky analog sound. The MIDI (musical instrument digital interface)-capable box produces a total of 70 preset rhythm patterns, five user-adjustable patterns, and 10 variations against which you can mix your favorite music, or not, as the situation demands. An ultracool scratch pad with auto function is in the house to help you get your grooves smokin'.You get true, 32-note polyphony and dynamic control over the timbre or tone of each MIDI-accessible voice, just as you would with an acoustic instrument. There are 203 voices total, 180 musical sounds plus 23 drum kits. There's even an audio beats-per-minute counter--the DJXIIB accepts an audio input of whatever song you're playing and automatically locks to the rhythm by auto-adjusting its bpm.Enhance your productions with sophisticated digital effects using the box's onboard DSP (digital signal processing) using Yamaha's Advanced Wave Memory technology. The DSP lets you warp, distort, and slice your music for creative effect.A pair of built-in 3-inch, 6-watt speakers lets you audition your music; each speaker is ported for accentuated bass response. Connections include MIDI in/out, a stereo analog (left/right) RCA line out, a .25-inch headphone jack for private listening, and a BMP input (RCA).
What's in the Box DJ box and a user's manual (the unit's CD-ROM is factory-installed).

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Mixman Studio Pro 4.0 Review

Mixman Studio Pro 4.0
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I must admit, the little demo tunes that come with it are very trendy and have good sound quality. I have been writing music with computers since 1988 using a variety of different programs and methods and I must say that for a program which is designed to make it easy for the average chump, I'm confused by it's simplicity. The interface is artsy rather than designed for serious work and comes off like "Acid Junior Lite" if you could imagine that. Yeah, wow - it also burns your noise to mp3s, like most new programs do. You're unable to fold, spindle and mutilate (or "tweak") the sounds the way you would with most music programs, although some basic tweaking is possible. If you're really uninspired to learn music production properly, this would be a quick way to pump out Kmart dance music and call yourself "cool". If this is the way you want to go, I'd recommend you pay a visit to fruityloops.net, as it is a much more powerful program that accomplishes the end result more thoroughly (and does much more than this blunt little tool), but if you really want to do good high-quality music - sell your PC, get a Mac and then get Logic Audio. These little beat-box programs are only toys.

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Mixman StudioPro enables you to create professional-quality music on your PC. Take your musical ideas from concept to completion with this integrated suite of professional remixing tools: Remixing Studio, FX Studio, Editing Studio, and Recording Studio. The patented Mixman remix engine allows you to combine individual sound elements and perform in real time. Audio experimentation is fast and fun, regardless of musical style. It's time to take your music to the next level, and this is the software to do it.
The heart of Mixman StudioPro is its Remixing Studio, a unique, live-performance environment designed to give you maximum control of the musical moment. Instant response from the computer keys lets you remix with total inspiration. FX Studio provides a set of state-of-the-art effects to manipulate and create new sounds.
Graphically adjust audio elements to compose or rearrange your music with precision. A cell-based editing system includes cut, copy, paste, merge, ripple, and draw. Change parameters like pitch, tempo, panning, and volume dynamically over time.
This innovative software allows you to tune in and listen to mixes submitted by fans worldwide or to broadcast your own latest creation. All radio listeners can participate by writing reviews and rating the music. Also, get your own space on www.mixman.com, where you can post your own sound templates for others to remix, or highlight your tracks on Mixman Radio.

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Blue Microphones Icicle XLR to USB Mic Converter/Mic Preamp Review

Blue Microphones Icicle XLR to USB Mic Converter/Mic Preamp
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I bought the Blue Icicle because I had to quickly record some trumpet lines and I didn't have an interface. Well, actually, I did pick up an open box unit that didn't work because they couldn't provide me with the external power supply, so I took it back and got the Icicle as a quick fix that would get me where I needed to go in a timely manner.
Hardware: iMac, dual core 2.0 GHz processor and 4 GB or RAM. OS 10.5.8.
Software: Garage Band.
Mic: Shure SM57.
Pros. For recording trumpet with an SM57 it was perfect. Clear sound, low noise, LOTS of signal. With the gain a little over half way on the Icicle and about 58% in Garage Band I got hot horn lines with gain to spare. Any hotter and they would have started clipping, so it definitely gave enough signal to get the job done.
Cons. The gain knob has no dial or indicators for how far you have turned it - it has to be done by feel making it almost impossible to duplicate your settings exactly. This could be improved with a knob with an arrow and a marked dial so you can see where it's set. It also feels a bit cheap - it's lightweight and feels almost fragile. Treated with care it's fine, but I doubt it would take much abuse before it would break and I have been ultra careful with it because it feels so lightweight and cheap. I also used it as recommended in the accompanying literature and didn't plug it directly into the back of the mic - I used it with a mic cable.
For what I needed it was perfect - simple plug and play that got good sound into my computer, and it worked well in a pinch. I just wish it was a little higher quality in terms of construction. A bit heavier and a better dial for the analog gain, and I would have rated it a full 5 stars but as it is, I can at best give it 4.


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The Icicle is Blue's new stylish USB converter and mic preamp combo that allows you to connect any XLR microphone directly into your computer via USB. The Icicle features a studio quality microphone preamp, 48V phantom power, fully balanced low noise front end, analog gain control, and driverless operation.

Make Any Mic a USB Mic The Icicle works with both dynamic and condenser microphones, providing high quality and hassle-free connectivity with Mac or PC. Whether you're using a microphone for digital recording, podcasting, voice messaging, or voice recognition applications, the Icicle is the quick and easy way to get connected.
Plug and Record Simply plug in the USB cable and your mic will be live--no special driver installation is required.
Quality and Simplicity The Icicle features a built-in, studio-quality mic preamp, along with a fully balanced, low-noise analog front end to send a clear signal via USB.
It also supplies 48V Phantom Power for condenser mics.
On the control front, the Icicle keeps it simple, with a single analog volume level control.
What's in the Box Blue Icicle, 6-foot USB Cable

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Gator GRC-10X8 PU Pop-up Console Rack Review

Gator GRC-10X8 PU Pop-up Console Rack
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Wrong image was used to sell the product.
Reseller did correct the problem.
The service was timely, and courteous.

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Remo African Collection 24" x 10" Key-Tuned Djembe, Fossil Fantasy finish Review

Remo African Collection 24 x 10 Key-Tuned Djembe, Fossil Fantasy finish
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Works as well as described. Quality construction is excellent. Tone is good, but I am not a musician.

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Korg Sound on Sound Unlimited Track Recorder Review

Korg Sound on Sound Unlimited Track Recorder
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I spent a few hours recording with this at home and then took it to the car, picked up some friends and let them hear it through the car stereo... they couldn't believe I did everything on this little black box!
It's a remarkable device that comes somewhere between a pocket mp3 recorder and full DAW setup...
CONSTRUCTION: Absolutely rock solid - top quality product. Made in Japan. Doesn't look or feel cheap.
SIZE: Nice size for it's purpose - not too big - not too small - just right for the desktop, couch or car! 5.25" x 2.75" x 1"
CONTROLS: Large, positive controls, all well laid out, easy and intuitive to use.
SCREEN: Adequate size (1.75" diagonal), clear and bright. It's actually a TOUCH screen - initially you probably won't use this feature much but I'm sure it'll become very useful once you are more familiar with the device.
BOOT UP: Not exactly spontaneous - It takes about 20 secs to boot-up - then it'll take a few more seconds for you to setup a "New" recording. You can either click through all the previous recordings till you get to the end of the list (takes too long) or you can simply hold down the STOP key and press RECORD. Now you've got a new empty "song" file ready to be recorded.
RECORDING: For recording freestyle, the built in mics are very, very good... they pickup everything crystal clear.
TEMPO: Set the tempo by just tapping the tempo key and the device responds by displaying and setting the BPM's accordingly.
DRUMS: Next, you can select a drum beat - there are 50 - but there's only one or two that I like (there's no way to program or create your own) - so I always use mainly the same drum sound as a metronome while I record bass guitar... Each drum preset can be varied a little during playback by touching the (Rhythm) screen giving 4 variations, fills, hi-hats, etc...
SOUND ON SOUND: Having chosen a drum beat, a good tempo and a bassline, I can now start adding additional sounds (overdubs) - even vocals - and move on with the creative process.
UNDO: Let's say the song is 5 minutes long and you are recording each track live... for the whole 5 minutes... there's times when you make a mistake so you STOP - press the UNDO button and delete the last take in it's entirety - then try again... This starts to take up a considerable amount of time... hours can disappear while you are playing with just ONE song.
EFFECTS: The effects are phenominal - you can use them on the input of the recording... and on the Master output. Each effect has several parameters - so again, you could be spending many hours messing around with different ideas for each part (overdub) that you record.
BATTERIES: Two AA Batteries seem to last a very long time. I see no need to buy a power adapter.
POCKETABLE? It's a little too big to carry around in your pocket 24/7 for spontaneous recordings... I found another recorder just right for that - the Olympus Digital Voice Recorder DM-420
DILEMMA: You will probably spend as much time recording with this device as you would sitting down and recording with a proper DAW... but the DAW results will obviously be far superior... so why not just sit down at your DAW and record? Why do it once on this SR1 - and then probably have do it all again on a proper DAW? (with better Mic Pre's, EQ's etc).
CONCLUSION: The SR1 is a poor man's recording studio - or a rich man's toy studio. No doubt some kid who couldn't afford anything else will make a hit record with the SR1.
I REALLY LOVE THE KORG SR1 - I JUST HAD TO HAVE IT!!!!!!!

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KALAMATIN CARVED 24 X 12 DJEMBE HAND DRUM Review

KALAMATIN CARVED 24 X 12 DJEMBE HAND DRUM
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pretty good drum. attractive. i bought it as a christmas gift for husband. he enjoys the drum very much so do the little kids who are small enough to fit the size of the drum. i was a little disappointed by the size of the drum considering the expensive amount for shipping. the cost of the drum was good but shipping costs made it very expensive. i would have paid less getting it directly from the drum company.

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