Showing posts with label portable recorders. Show all posts
Showing posts with label portable recorders. Show all posts

TASCAM DP-008 8-Track Digital Portastudio Review

TASCAM DP-008 8-Track Digital Portastudio
Average Reviews:

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After wanting a digital multi-track for a long time, I finally decided on this model, and I'm glad I did.
One thing that is not included in a list of specs is the usability factor. I've purchased my share of electronic devices for making and recording music over the years. Just looking at a dry list of specs has often been my method of deciding on what to buy. Well, on paper the DP-008 looks good, but it's not until you use this to cut a few tracks that you realize how well it is designed. I'm SOOOO glad I didn't buy the DP-004, as this model is clearly the results of Tascam eliminating the weaker aspects of the 4 track model just in time for the 8 track version.
I have seen a lot of digital multi-tracks that look good on paper, but to use them is a real pain. The fact that the DP-008 has all the individual track knobs means that you don't have to go flipping through pages on a menu or choosing the "hot track" in some other way. Here it's all laid out logically and makes tweaking the final stereo mix a piece of cake. Sure it would be nice if there were level sliders rather than dials, but these work just fine.
I use this model to record myself playing guitar and bass, run a Boss drum machine into it, and I record vocals with an external mic though a small mixer that has some helpful effects on it. You don't need a mixer, though, as the included mics are quite good. I am able to record several tracks, "bounce" them if I want to, and then write them to a stereo master mix. Then, I export that mix on the unit itself (sounds weird, but basically you're just creating a wav file that can be seen by a computer). The final step is connecting the DP-008 to a computer and merely dragging the song files over to the computer. I then use Audacity to convert it to an ogg file or mp3.
I use Linux and the process of transferring songs to the computer is very simple. In the past you would have received a useless cd-rom with a crappy "song transfer" program and maybe some crapware to go along with it. I'm glad that Tascam has decided to treat the customer right and state it clearly: There is no need for special software. Once you export the song, it will show up as an external storage device and you can simply transfer the files over to your computer, whether it's a PC running Windows or Linux, or a Mac.

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Zoom APH-1 Handy Recorder Accessory Package Review

Zoom APH-1 Handy Recorder Accessory Package
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I bought this pack along with my H1. I will go through them in order:
-Padded shell case: This is worth the pack alone. A nice, sturdy clamshell design helps keep the somewhat-delicate-feeling H1 (due to its feather-light weight) protected. A detachable strap is included and has an attached velcro strap on the back of the case. The case is only slightly larger than the H1 itself.
-Adjustable Tripod Stand: Made of mostly metal. It's not much bigger than the H1 itself. The pivot mount can be practically adjusted at any angle, including 90 degrees. The mount piece that attaches to the H1 is made of metal. If you're looking for more creative positioning in different environments, consider a Joby Gorillapod ([...]).
-USB Cable: Pretty standard mini-USB to USB cable. It's about 3 feet long so if you need longer, just buy a mini-USB to USB cable at any electronics store.
-AC Adapter: Somewhat superfluous, this adapter attaches to the USB cable to provide power to the H1 via an electrical wall socket. Considering the H1 lasts about 10 hours on one AA battery, it feels a little needless. Still, it's great to have if you don't happen to have any batteries.
-Mic Clip Adapter: Very handy for placing/positioning the H1 on a mic stand. Handle is made of dense plastic; mount piece is made of metal.
-Windscreen: A pretty standard foam windscreen that handles things such as plosives just fine but don't expect it to excel outside. Wind is a demon on the H1's sensitive mics. I would highly recommend springing for a RedHead windscreen (which are available now for $34.95 at [...]).
All in all, a nice, rounded package.


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Tascam DR-08 Portable Digital Recorder Review

Tascam DR-08 Portable Digital Recorder
Average Reviews:

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I'm a do-it-yourself singer/songwriter and recording artist. I bought the DR08 largely for capturing ambient sounds to include in my home recordings and for recording band rehearsals and gigs. Overall I'm happy with the DR08. The interface is simple and intuitive to use. It's done a good job capturing and representing band rehearsals and live music. Of course, it's not what a pro would use to mic a show, but for my purpose of providing fairly faithful feedback of what the music sounded like at a particular position in the room, it does the job well. The ambient stuff I've grabbed has been solid fidelity with minimal background noise/hiss--to my ears, definitely good enough to incorporate into DIY recordings. I've also recorded some interview-type conversation, which sounded great.
Key problems are two-fold: the device is highly sensitive to wind (even light breeze) noise and to noise from the hand holding it. Which leads to my biggest disappointment...the lack of practical tips-and-tricks TASCAM could have included in the Manual. The Owners Manual covers the technical stuff clearly, but it offers little practical guidance on how to get good recordings from the device for the non-super-techy/audiophile (who, I suspect, based on where this falls in the spectrum of products and prices, is TASCAM's market for the product!). I'm left wondering...
How to deal with wind noise? No mention at all of this as a potential problem (which it is for outdoor recordings) in the manual. Do they sell a windscreen for this product? Would pantyhose or some home-made contraption help?
The device is very sensitive to picking up noise from the hand holding it. Not a shocker, but it would be great to have some tips on dealing with this issue besides the obvious one of setting it on its back on its stand--a so-so solution that is (1) often not practical based on the recording situation and (2) can create the issue of picking up reflected noise from the surface it's on). Are any of the "Low-Cut" settings meant to help here?
When, specifically, might I want to apply the different "Low Cut" settings of 40/80/120? What do those settings even mean? What difference in result can I expect? Some examples/scenarios would be appreciated.
For the EQ boost feature, when, specifically, might I want to use the TREBLE/MID/BASS boost feature? Again, some common examples/scenarios would be great.
There are three different mic positions. For each position, where exactly is the field of sound capture? In other words, which direction do I want to point/orient the devices to best capture certain types of sounds? How close/far should I be to capture the most "real" sound?
I realize I can and will figure this stuff out with extensive experimentation, which, sure, is part of the fun. But who wouldn't want some practical tips for a head start? If you're like me (and I'm guessing you are if you're considering buying at this product level/price point), then I'd say just about everyone would benefit from a more instructive "Manual."
So overall, a good product at a good price for the hobbyist/semi-professional, but it comes with a frustrating lack of guidance on how/when/why to use the technical features and get the most out of the device.

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Alesis ProTrack Handheld Stereo Recorder for iPod Review

Alesis ProTrack Handheld Stereo Recorder for iPod
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Sorry Librado, I couldn't wait for your follow-up...
I bought the ProTrack for use exclusively with my 3G iPhone, and it works like a charm! As the previous reviewer indicated, yes, you will need to buy a recorder app, since the iPod application that comes with iPhone OS does not have the automatic voice memo feature that previous click-wheel iPods do. I'm using AudioFile Engineering's FiRe app (short for "Field Recorder", I guess), and it works with none of the hassles that the previous reviewer identified in the BIAS app. In addition to two more graphical sound level meters (which are better than the LED's on the actual unit, IMO), FiRe also gives you a real time waveform display, three sample rates, and the ability to reposition the playhead. In fact, I actually learned about the Alesis ProTrack from AudioFile Engineering's recommendation.
***THERE IS A CATCH, HOWEVER*** if you're going to use this device with an iPhone: Alesis did not include a cover that will fit the iPhone. Besides protecting it from scratches, the cover serves to secure the iPod in the sled, and locks in place. Without the cover, your iPhone is held in place only by the strength of the dock connector. It may not be everyone's aesthetic cup of tea, but a rubber band wrapped around the top of the phone and the ProTrack solves this perfectly. Just be aware of that before you buy.
As for build quality, the chassis is all plastic, and mostly hollow, transmitting a fair amount of handling noise while recording at higher gain settings. Otherwise, I have no complaints about the placement of switches.
Next, I'm going to score some XLR shotgun mics and see how well it does with phantom power.

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Capture live sound directly on your Apple iPod anywhere and anytime without a single cable with the Alesis ProTrack. Just dock your iPod and cover it with the protective clear shield, and you're ready to roll. You can record detailed, 16-bit, 44.1kHz or 22kHz stereo digital audio without connecting any additional equipment using ProTrack's onboard pair of cardioid condenser microphones. The on-board mics are fixed in XY configuration for optimal stereo imaging.
The ProTrack also has a pair of combo XLR-1/4-inch inputs enabling you to connect any professional sound source, including condenser and dynamic microphones and mixer outputs. Whether you are running on plug-in or battery power, ProTrack supplies 48V phantom power to its inputs for operation with external condenser microphones.
You can monitor or play back recordings on the 1/8-inch stereo-headphone output and check the LED-level metering for instant visual indication, even in a dark club. ProTrack records on four AAA batteries or AC power using the included adapter. A 1/4-inch/20-threaded mounting point enables you to mount ProTrack on a mic stand with the optional ProTrack Adapter, on a table with the optional ProTrack Tripod table stand, or on a camera tripod for hands-free tracking.
If you have an iPod touch, you can purchase and download the iProRecorder app from the iTunes App Store.
Key Features
Sleek design with clear, protective covers, integrates iPod
Combo XLR-1/4-inch inputs for connecting mics, mixers, and more
Stereo 1/8" headphone output
48V phantom power for use with external condenser mics
Records 16-bit, 44.1kHz or 22kHz stereo digital audio
Onboard stereo condenser microphones for detailed pickup
Built-in mics in XY configuration for accurate stereo image
Switchable limiter ensures overload-free recordings
AC/DC operation on 4 AAA batteries or AC adapter (included)
Threaded mounting point for tabletop and floor-stand applications

Specifications
Analog Inputs: Two combination XLR-1/4-inch
Gain:
Internal Mic Inputs: +6dB to 49.3dB
External Inputs (XLR): +6dB to 49.3dB
External Inputs (1/4-inch): -11.3dB to +32dB

THD+N
2nd & 3rd Gen. iPod nano: 0.01% @ 92dB SNR A-weighted (charge off, min. gain)
5th Gen. iPod / iPod Classic: 0.014% @ 88dB SNR A-weighted (charge off, min. gain)

Digital Circuitry
Bit Depth: 16-bit
Sample Rates: 44.1kHz (high); 22.05kHz (low)

Main Outputs
Max Level: +0.3dBu Maximum
THD+N: < 0.01% @ 1kHz

Headphone Outputs: Max Level: 75∞ output impedance, 40mW into 32∞
Battery Life:
Without phantom power: > 3 hours
Using phantom power: > 2 hours

External Battery Pack Requirements:
6V DC 1A
2mm diameter (center pin); 5.5mm outside diameter
Wired as center positive

Weight (ProTrack only, without batteries or iPod): 8 ounces

Compatibility Notes* When a 3rd generation iPod is used with this product, the iPod will not charge. Although 3rd generation iPods feature dock connectors, these iPods communicate via FireWire, not USB (which is used on all newer iPods), making it impossible for many products with dock connectors to provide a charge to 3rd Generation iPods.
** You can record using a third-party recording application for iPod touch, such as iProRecorder.

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