Showing posts with label usb. Show all posts
Showing posts with label usb. Show all posts

Behringer U Control UCA202 USB Audio Interface Review

Behringer U Control UCA202 USB Audio Interface
Average Reviews:

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This thing is great. I needed to bypass my crappy soundcard on my PC in order to record high quality stereo audio onto my computer for a podcast. I had just shelled out $80 for the Inport Deluxe package from Xitel, which is basically a little analog-audio-to-USB adapter box similar to this, with a long audio cable and some bad software thrown in to justify the steep pricetag. Luckily I saved the receipt on the Inport and was able to take it back after discovering this item, which you can find for about $30 all over the internet.
The UCA202 has a headphone jack with a volume control so you can monitor what's being recorded to your computer, as you record it. Just be aware that you won't be able to listen to the playback from your audio recording software through your computer's monitor speakers unless you unplug this device from your USB port first, and there is no warning about this in the manual, which is why the 4 star review instead of 5. On some review sites there seemed to be confusion about what drivers were required to work with this device, but the first page of the manual states clearly that you don't need any drivers. I am running Windows XP and was able to just plug and play, no drivers needed, audio is loud and clear. By the way this is not a paid endorsement or anything, I just wanted to spare someone else a lot of the research time that I spent by saying, go ahead and get it.
Oh and of course you do need a good audio recording software like ProTools, Sound Forge, or Cubase to do a decent job of recording audio on your computer and letting you edit it and manipulate it with professional sounding results. If you are recording audio from a turntable (digitizing your LP collection) don't forget that you need some sort of preamp or tuner amp between the phonograph and this device. The output straight out of your turntable is too weak a signal to drive this device.
A grateful shout-out and mad props for this device go the Germans at Behringer, who designed it.

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Alesis MultiMix 4 USB Four-Channel USB Mixer Review

Alesis MultiMix 4 USB Four-Channel USB Mixer
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In general, I like it, but it has warts. The biggest issue, which was mentioned differently in other reviews was the hum & noise when you're monitoring a live recording through headphones. The weird thing is that this noise doesn't appear on the finished digital file. Since I'm not taking this into the field, I'll live with this odd behavior because the other features be the heck out of all of the other USB mixers in this price range (here's a hint: there aren't any, or at least their weren't any when I bought this). Before I got my cushy desk job, I moonlighted as an A2 so part of me wants to cringe at the noise in my headset; however, in an earlier life I worked with the old Hitachi HR100 1" VTRs, and they had the same problem except for about 100 times more money. I can live with this, and it gets a 3 only because of the monitoring issue...otherwise this little baby excellent.


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Perfect for using in basic computer-recording setups, video editing and production studios, and portable podcasting setups, the Alesis MultiMix 4 USB outputs not only line-level analog audio but also stereo 16-bit, 44.1 kHz digital audio over USB for low-noise, easy computer connection. You can also monitor back from your computer through the same USB connection.
The MultiMix 4 USB mixer has four input channels, all of which can accept a 1/4-inch line input. You can plug XLR microphones into channels one and two, including condensers thanks to the mixer's switchable 48V-phantom power supply. You can also plug a guitar or bass directly into channel one's switchable high-impedance input.
Channels one and two offer switchable high-pass filtering at 75Hz to eliminate low-frequency rumble, handling and wind noise. Each channel has an independent pan control and channels one and two provide high and low-shelving EQs. Channels one and two have independent gain trims, while channels three and four are configured as a stereo pair at the level and pan controls.
Key Features
Four-channel mixer with USB stereo input and output
Low-noise digital 16-bit, 44.1 kHz signal on USB for easy computer interface
Four 1/4-inch line-level inputs plus RCA tape in/out
Two XLR mic inputs with gains, high-pass filters, and switchable 48V phantom power
High-impedance guitar input
Dual-band EQ on mic inputs
Multicolor LED metering
Main and headphone outputs with independent level controls

Specifications

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PreSonus FaderPort USB Automation Controller Review

PreSonus FaderPort USB Automation Controller
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If you're looking to get away from mixing with your mouse and are looking to spend as little as possible... there are two big choices. PreSonus Faderport ($150) and Frontier Design Alphatrack ($200).
Faderport - PROS: PreSonus put most of their money into the fader... it's an alps fader used in many higher end consoles.
Nothing fancy. It is intuitive and to the point, but still has what I want and need... a good fader and transport control.
Easy to install.
Small.
CONS: Wall-wart. It is bus powered, but you need the AC adapter for fader automation.
You can only automate volume and pan. (protools user's! If you have a track selected with the faderport with pan automation, protools will lock to the pan control of the faderport and will not play back the written automation until you switch to another track. This is a known issue that PreSonus says they are working on for an upcoming firmware update.)
Alphatrack - PROS: Controls; volume, pan, EQ, plugins, and automation.
3 encoders instead of 1.
Jog and shuttle strip... (this is really cool.)
Bus powered.
LED screen with track/eq/plugin info.
CONS: NOT Intuitive... It took the guy at G***Center over 30 minutes just to get it to do anything. And after another 30 minutes could only get the fader, pan and transport controls to work. (I never did get to automate any plugins with it.)
The fader was sluggish and when it played back the automation in kinda shook and was loud. (check out youtube.com "faderport vs alphatrack" and see a side by side comparison.)
The LED screen was hard to navigate through and the user programmable controls (which only work with native software, not HUI emulation) are labeled F1- F8 which may take a while to remember.
Slightly bigger then faderport.
OVERALL: I went with the faderport. While there are a few quirky things I've had to deal with (in protools, so far it has worked great with sonar) it's still straight forward, serves its purpose and does what I need it to do. It gives me the ability to feel and touch a mix. The transport controls alone make it a great asset, not having to reach for the mouse every time I want to arm, mute, solo or record a track. As for the alphatrack, the fader on it alone was enough for me to steer clear. But, the fact that it was a fight to get it to work at all (and never saw it fully functioning) put me over the edge... I fight with enough stuff to keep everything running.



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The FaderPort puts the feel, vibe, and efficiency back into music recording and production. No more clicking through menus and drawing automation edits with a mouse. The easy-to-use FaderPort delivers complete transport control for fast and efficient recording along with ultra high quality, touch sensitive motorized fader for writing fades and automation.The touch-sensitive, long throw motorized fader on the FaderPort has the feel needed for recording perfect fades and writing volume, mute and pan automation in real-time. Solo and record enable can also be easily controlled with the FaderPort along with window selection, play, stop, record, and managing markers (locate points) for fast and easy recording. A foot switch jack is also included on the FaderPort for hands free punch-in/out recording. The FaderPort works with all Mac or Windows-based recording software including Pro Tools, Cubase, Nuendo, Logic and more.

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Numark TTUSB Turntable with USB Review

Numark TTUSB Turntable with USB
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I've been looking for a way to easily convert the old vinyl to iPod-ready MP3s. A bunch of my old LPs will never see the light of a CD so this looked like a great, one-step way of digitizing the old, round, black things with all the grooves.
Backstory: I'm a Mac guy, and I've worked with and taught audio production for a number of years so I more or less know my way around the audio world. That said...
This works quite well, but has a few limitations. Out of the box it plugged right in via the USB port and it also has stereo RCA jacks (such as would plug into the back of your tuner/amp) on the back. Drawback #1 is that the RCA jacks are hard-wired into the base of the turntable so if you don't use them (and are using the USB connector) there's no way to get rid of them. They dangle. This _could_ be causing a problem and I'll address that in a moment.
The turntable worked great, though I"m not sure why they put a pitch control on it if there's no strobe light to verify the speed of the unit. Sort of like putting a tachometer on a car with an automatic transmission. Why?
Beyond that, it has two speeds, 33 and 45 (with adapter) and the LPs sounded OK on the speed. If you are wanting to digitize your old 78s, you can record them at 33 and use the software (see below) to get them to the right speed.
Drawback #2: No tonearm cueing lever so you are manually dropping the arm onto the vinyl disk. Don't drink a lot of coffee before you cue your records, especially since it has a counterweight adjustment on the tonearm that make the tonearm almost wightless. It really tough (even without coffee) to drop that ultra-light arm onto the vinyl without bounce and shake. Be careful...
The audio processing software that ships with the unit is "Audacity," an open-source freeware that you can also download from the Web. If you are using an Intel Mac, make sure you download the new version, as the Mac software supplied on the disk is out of date. PeeCee users with Win2000 and XP should be ready to go. You can also use it with most other audio processing software apps.
Audacity software is a bit clunky, but it works OK for this task. I've used it for a number of years so I felt at home with it. If you are new to it you may not be comfortable with it for a while. But it does a good job and you can easily fix clicks, pops, and vinyl noise with the software. To make the final export to MP3 you also need to download MP3 conversion software (LAME...that's an MP3 encoder, not an opinion...and it's also free), as it's not part of Audacity. No biggie. Once it's downloaded and you link it once so Audacity can find it, you're done and it's forever invisible.
Drawback #3: There seems to be a very, very faint hum through the USB connection and I can't find the source. It may be a grounding issue but there is no grounding connection on this, a basically plasitc body and base. You don't notice the hum during the music, but if you listen it's there in the silence between the tracks. It may also come from those dangling RCA cables that you can't unhook. Until I can isolate and eliminate the hum, I'm just editing out the noise between the tracks with the Audacity "generate silence" command. Again, no biggie, but it's an extra step.
Once you've captured an entire side of a vinyl, you add "markers" to the recorded track to indicate the track breaks, hit Audacity's "Export Multiple" command, select MP3 (assuming you have downloaded the LAME software) and your ready for iTunes. It's slick.
Overall: The turntable works very well for my needs. A serious audiophile may scoff at it and be displeased with the minor hum problem or the lack of a cueing lever, but hey, the price is right. I'd give it a Five-Star rating if it had a cueing lever, detatchable RCA cables, and no faint hum between the tracks.

Click Here to see more reviews about: Numark TTUSB Turntable with USB

The TTUSB is a unique, plug and play, USB compatible turntable that makes digitizing your vinyl record collection to your PC or Mac a snap. Packaged with all the necessary cables to connect with a computer or stereo playback system, along with software to remove clicks, pops, and other undesirable characteristics of vinyl, the TTUSB is a comprehensive package that breathes new life into older recordings.

USB Turntable Numark is known for their turntables, and this one lives up to the company name. Features include an adjustable Anti-Skate control for increased stereo balancing, 33-1/3 and 45 RPM speed playback (with 78 rpm support via software), line level RCA outputs with built-in preamp, and an adjustable pitch control of plus or minus 10%.
The USB output means a no-fuss, plug-and-play connection to your PC or Mac for easy archiving.
Stereo Line Input As an added benefit, the TTUSB also includes a 1/8-inch stereo mini jack input connector to facilitate the transfer of cassette tapes (or similar line level sources) to computer files-making this unit the perfect tool for archiving older recordings, regardless of their original format.
EZ Vinyl Converter 2 The included EZ Converter software quickly rips your vinyl collection directly to iTunes. MixMeister's software lets you easily designate each track with the click of a button, and retrieves track names and other info using Gracenote technology. Once it's in iTunes (or the playback software of your choice), make playlists, burn CDs, or transfer to your iPod or other media player.
Audacity For the editing of your transferred files, the included Audacity software (PC and Mac compatible) provides a wealth of easy-to-use features. Remove clicks, pops, and other vinyl surface noise. Export your analog music to popular digital formats such as WAV or MP3, and turn your old, forgotten records to the top of your digital music playlist.
What's in the Box TTUSB Turntable (Includes Pre-Mounted Cartridge, Platter, Counterweight, 45RPM Adapter, Slipmat), USB Cable, Software CD, User's Manual

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Audio-Technica AT2020 USB Condenser USB Microphone Review

Audio-Technica AT2020 USB Condenser USB Microphone
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(More customer reviews)
This is my video review of the AT2020 USB microphone from Audio-Technica. USB Microphones are made to be plugged in directly to a laptop or desktop. I connected this to a Vista 64 laptop during filming and did the voice over on a Macbook Pro.
Text review:
I give this product a 5 star rating. It is easy to use, high quality and very competitively priced. This is a great desktop mic to use for making podcasts or recording music.
I am not a musician so I am not able to speak to that aspect of the microphones ability. I did use it to make several voice over videos and it performed perfectly. Never a hick-up or any spurious noises heard at all.
I did not include specs into my video review because it would add to the file size and be too small to read here on Amazon's video player.

Regular readers of my reviews know I try to supply specs when necessary.
Here are the specs:
Element:Fixed-charge back plate permanently polarized condenser
Polar pattern:Cardioid
Frequency Response: 20Hz-16,000Hz
Power Requirements: USB power (+5VDC)
Bit depth: 16
Sample Rate:44,000 kHz
Weight: 374g (13.2 oz)
Dimensions: 162.0 mm (6.38") long
52.0mm max body diameter (2.05")
Output connector: USB type
Accessories:Pivoting stand for 5/8"-27 threaded stands, 5/8"-27 to 3/8"-16 threaded adapter, soft protective pouch, tripod desk stand; 3.1m 10' USB cable
System Reqs: Mac OSX, USB 1.0 or 2.0 64MB RAM minimum. Windows XP Home or professional USB 1.0 or 2.0 64MB RAM minimum.
So for a great USB microphone I recommend this highly!
About the video: After uploading I noticed that Amazon's codec (video compressor) has made the video quality sub-par. I will try to reupload it again with a different codec.
Thank you for watching!

Click Here to see more reviews about: Audio-Technica AT2020 USB Condenser USB Microphone

The new AT2020 USB offers studio-quality articulation and intelligibility with modern convenience. It plugs right into your computer's USB port, and functions seamlessly with your favorite recording software. Equipped with a USB digital output, the AT2020 USB is perfect for home studio recording, field recording, podcasting, and voiceover use.

Based on the Renowned AT2020 The AT2020 USB is a side-address studio condenser based on the design of Audio-Technica's critically acclaimed AT2020 cardioid condenser microphone, which can be found in studios worldwide. Like the AT2020, it features a low-mass diaphragm, custom-engineered for extended frequency response and superior transient response. The Cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source.
Digital-Ready With low self-noise, the AT2020 USB is perfectly suited for sophisticated digital recording equipment. Audio-Technica's state-of-the-art design and manufacturing techniques ensure that the microphone complies with the company's renowned consistency and reliability standards.
This means you'll get crystal-clear, natural sound for podcasting, home studio recording, field recording, and voiceover use.
AT2020 USB Specs
Element: Fixed-charge back plate permanently polarized condenser
Polar Pattern: Cardioid
Frequency Response: 20 -16,000 Hz
Bit Depth: 16 bit
Sample Rate: 44.1 kHz
Power Requirements: USB power (5V DC)
Weight (less accessories) 13.2 oz (374 g)
Dimensions: 6.38" (162.0 mm) long, 2.05" (52.0 mm) maximum body diameter
Output Connector: USB-type connector

Audio-Technica 20 Series--Affordable Pro Audio Microphone Solutions Audio-Technica's stringent consistency, reliability and quality standards bring professional performance to this extremely affordable line of home/project studio microphones.
What's in the Box AT2020 USB microphone, tripod desk stand, pivoting stand mount, USB cable & storage pouch

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T.90 USB TURNTABLE Review

T.90 USB TURNTABLE
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I bought this unit due to the fact that it is direct drive, has a quality S-shaped tone arm, and plays 78's. I have three problems with it, though. There is no cue lever. There is no auto return at the end of a record. And the dust cover is cloth. This means the record is exposed during playback. More importantly, you have to be very careful when removing the cloth cover that it doesn't snag the stylus. This happened to me last week, and my favorite Stanton 6800 EEE Mk111 stylus was ruined. I am going to be more careful. I am also going to see about adapting a plastic dust cover from another turntable.

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Grado Prestige Red Standard Mount Turntable Cartridge Review

Grado Prestige Red Standard Mount Turntable Cartridge
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I purchased a Well-Tempered Record Player (Record Player is the model name of the turntable) in '99, started with a Grado Sonata, and a Grado Red as a backup cart; The Sonata sounded great, but expensive. Then tried a Shure 97; sounded ok. Then I tried a Denon 103. Sounded very good, energetic, lots of shimmer on cymbals. Then I tried the Grado Red. What a revelation. You don't have to spend a fortune on a cart to get it all. Soundstage, bass, sweet from top to bottom. I'll never need another cart for my TT. However, a word of warning; No piece of equipment is going to work for all applications. If your TT has a motor that sits close to the spindle axle, or under it, you might get hum as the cart gets toward the end of the record, and closer to the motor; My motor is on the opposite side from the tonearm, connected to the platter via a belt, so I don't have to worry about it.

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Akai Pro MPD18 Compact Pad Controller Review

Akai Pro MPD18 Compact Pad Controller
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Just started messing around with beats. This thing is awesome and crazy affordable. Im not to the point where I can justify spending the money for the MPC's and such so this was right up my alley and does everything I need for my level of music production. Was a little difficult to set up and assign samples to pads at first cause the instructions are minimal at best, after a bunch of trial and error and youtube tutorials I was able to figure it out for the most part.

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Technics SL1200MLK2 TurnTable Review

Technics SL1200MLK2 TurnTable
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I've known some people to still own a manually operated Technics that has lasted over 25 years (the beauty of a manual is no extra gizmos or electronics to break down or mechanically and annoyingly affect pure playback) ! If you want proof just look at how many Denon or other top brand name turntables listed on E-Bay will often carry a disheartening claimer by the seller that reads something like, "turntable works fine except automatic tonearm or speed chip sensor does not work properly".Lesson learned is to stay away from turntables with a lot of "computerized-electronic sensing automatic features". So, no, this 'table is not an automatic nor is it for the lazy listener who will fall asleep only to wake up and find the needle has been scratching and bumping at the end of playing. Once you damage your needle in this fashion you will never make the mistake of falling asleep again while playing it.... But, again, the trade off or sacrifice is worth it versus having an automatic tonearm malfunctioning with time. It was first and foremost designed back in the 70's as a mid-priced audiophile turntable for home consumer use and later incorporated as the reference or standard dj equipment for radio stations and then dj/scratching venues. Over the years Technics has fine tuned and tweaked what was already, in my opinion, an almost perfected machine. While audiophile purists and snobs gasp at the thought of using a direct drive 'table to hear their precious vinyl collection, I for one don't mind a direct drive over a belt drive. Advantages of a direct drive is no belt to replace, wow & flutter are almost non-existant (since the platter is driven by the spindle shaft motor directly), speed accuracy is on target. Some purists have pointed out that this 'table is not "dead" sounding enough and may produce some rumble or motor vibration noise when listening to extreme quiet passages on classical disc pressings. So far I have tested some classical records and cannot hear any unwanted vibrations coming from the motor or disturbing noises.In fact, Technics makes one of the best turntables with a very quiet and smooth running motor. The plinth is heavily weighed down and isolated from unwanted vibrations that would otherwise be picked up by the cartridge.Over the years I have owned a fully automatic-remote controlled Kenwood table, a Pioneer 'table, and an el cheapo Sears LXI 'table...All of these turntables ended up in a junk pile in Siberia due to their cheap plastic nature and gamut of so-called bells and whistles. Technics is the only one for those, like myself, not yet to make it into the higer end audiophile arena with 'tables costing from $1000.00 and beyond price range realm. I have used everything from a cheap Audio Technica cartridge to a mid priced Shure cartridge and finally a Grado Prestige cartridge (the Grado being the best in sound quality, price and workmanship).Whether you decide to use an Ortofon DJ cartridge/needle for DJ/scratching purposes or a Grado audiophile cartridge for in home listening you will be thrilled of the workmanship and sound quality of this finely crafted and engineered product ! As a plus, the Technics is an aesthetically pleasing piece of audio gear to look at and realize some solid materials were used to produce it...Finally, who would have thunk decades ago that the Technics 1200 would carry the distinction to be used as a "DJ instrument" for scratching (the motor is that strong) as well as being dubbed the honorary title of the true "Wheel of Steel"!

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Blue Microphones Snowball Plug-and-Play USB Microphone in Brushed Aluminum with Studio Headphones and Microphone Pop Filter Review

Blue Microphones Snowball Plug-and-Play USB Microphone in Brushed Aluminum with Studio Headphones and Microphone Pop Filter
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I'm very happy with the product and it's functionality. I'm glad I didn't just get the microphone itself...the POp Filter has proven to be a crucial addition for better quality vocals.

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Stanton T92USB USB Direct Drive DJ Turntable Review

Stanton T92USB USB Direct Drive DJ Turntable
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The Stanton T92 is a solid built and excellent performing turntable. I bought it for converting my vinyl records to mp3 format and it works perfectly for that task. It comes with a Stanton 500.v3 cartridge which works very well for 33 and 45 rpm records. If you are going to record 78 records you will need to purchase an additional cartridge that is made specifically for use with 78 records. A hard acrylic dust cover would be the one thing I would like to see added to this already fine product.
In previous reviews of Stanton USB turntables, many have complained about not being able to hear the audio as it is recorded on the computer. If your equipment and software are configured properly, you can hear the audio as it is being captured.
My setup for recording is as follows:
1) The T92 is connected to the computer via the provided USB cable.
2) The computer soundcard Line Out jack is connected to a set of powered stereo speakers.
3) I use the free download of Audacity 1.2.6 available at [...] for capturing the recording. Be sure to set the Preferences in Audacity as follows:
- Playback Device: The computer's soundcard.
- Recording Device: USB Audio Codec - Input
- Check the "Software Play Through" box. (This is what allows you to hear the audio as you record it).
With this configuration you will be able hear the audio as you record it. The switchable Phono Out/Line Out capability also allows you to connect the turntable to your home stereo system when not using it with the computer for audio capture.
All-in-all a great flexible use turntable.


Click Here to see more reviews about: Stanton T92USB USB Direct Drive DJ Turntable

The T.92 USB is a direct-drive professional turntable with built-in USB connectivity. The USB port and supplied software make it easier than ever to digitalize vinyl recordings. With features such as key lock and a pitch range of plus or minus 12%, the T.92 USB effortlessly fits in with a regular DJ setup.

Professional Quality Turntable The T.92 USB is a sturdy, professional quality turntable, with a high-torque, direct-drive motor. The standard three playback speeds (33, 45, and 78 RPM) are available, along with two start/stop switches for mix or battle setup.
A pitch control fader with DSP key lock lets you change the tempo without affecting pitch, and the pitch range is selectable--either 8 or 12 percent. Quartz lock lets you bypass the pitch control for unaffected playback speeds.
An S-shaped tone arm delivers superior fidelity with low distortion, and comes coupled with an audiophile-quality Stanton 500v3 cartridge mounted and ready to go.
Output Options The T.92 USB features standard RCA stereo outputs, which are phono/line switchable to accommodate your setup.
USB and S/PDIF outputs are also provided, ideal for easy transfer of your vinyl to your Mac or PC. The package includes software for transferring and editing your music files.
Cakewalk pyro Audio Creator LE Included pyro Audio Creator LE combines all the essential audio tools needed in today's digital age in one fast and easy-to-use program. With pyro Audio Creator's virtual toolbox, you are just a click away from recording & editing audio; burning & ripping CDs; converting and cleaning albums to CD or MP3; and encoding, tagging & organizing your sound library. If you care about your audio, there is no better choice than pyro Audio Creator LE.
What's in the Box T.92 USB Turntable, RCA Cables, Slip Mat, USB Cable, Dust Cover, Software, User's Manual

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Audio Technica AT-LP2D-USB Fully Automatic Stereo Turntable with USB Output, Includes Recording Software and Dual Magnet Cartridge Review

Audio Technica AT-LP2D-USB Fully Automatic Stereo Turntable with USB Output, Includes Recording Software and Dual Magnet Cartridge
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First, I'm not sure if the previous reviewer had his sound card input set correctly, or if he forgot to switch this turntable's pre-amp switch to the correct setting, but mine sounded great. Also, I elected to use the RCA output on this and not the USB... maybe he was having audio-quality problems with the USB part? Many users seem to have an issue with static and otherwise poor audio when using the USB connection. Instead, I suggest using the RCA output on this unit connected to your PC's audio-in jack for the best sound quality. Please read on...
I've never even owned any LPs before, but I recently got a real craving for some mixes that only appeared on DJ-only LPs. So I purchased a few, along with this turntable so I can rip them into MP3s.
Everything arrived on the same day, so I was like a kid in a candy store. All I can say is HOORAY!
There are two versions of this Audio-Technica turntable... one has USB capabilities, and the other (which is a bit less expensive) does not. However, even with the USB output, there are also good old RCA outputs on this turntable. The turntable also comes with two RCA to stereo 3.5mm mini-plug adapters: one male adapter (for connecting to stereos, powered speakers, or a mixer with 3.5mm mini jack inputs), and one female adapter (for connecting to amplified speakers or other devices with a mini-plug). Basically, you can connect this turntable to almost anything without having to go out and purchase additional cables or adapters.
The unit has three buttons on the front: start, stop, and up/down. I'm sure you can guess what each of these does. This is an automatic turntable, so the arm is controlled by the buttons (no need to manually lift and place the needle back down).
The turntable also has a pre-amp switch, for either "line" or "phono" output. This way, you can connect it to most devices, whether they have an amplifier or not.
The setup of the turntable itself is pretty easy. Follow the instructions to easily place the platter onto the turntable and pull the drive belt onto the motor spindle (illustrations are included).
I elected to connect the RCA cables to one of the adapters, and connected that to the "line-in" mini-jack input on my digital sound card. Technically, I didn't need to purchase this more-expensive USB version of the turntable since I am not using the USB output, but that's beside the point :)
There are two CDs included in the package: one for Cakewalk Pyro 2004/2005 (commercial software), and one for Audacity (open source software). Cakewalk Pyro is NOT compatible with Windows Vista, so I installed Audacity (check their website for newer versions if desired).
After installing Audacity, I selected my input source ("line-in"), put the first LP on, and heard exactly what I was hoping to hear... high quality music and sound. So I restarted the LP, hit the record button in Audacity, and waiting for the song to finish. Then I hit the "stop" button in Audacity to stop recording, quickly and easily trimmed a bit of the dead space before and after the song, and exported it to a high-quality, high bit-rate MP3.
For the money, I couldn't have asked for anything better. Everything sounds crystal clear, and couldn't be easier. I highly recommend this product. If you have a line-in jack on your sound card (which most do), and would like to use that, save yourself a few bucks and go with the model that doesn't have the USB output. I'm not sure if the other model comes with a CD for Audacity (maybe only Pyro), but Audacity is an open-source free download on the web anyway. Either way, you won't be disappointed.
Happy ripping! :)
The non-USB version of this turntable appears here:
Audio-Technica AT-LP2DA LP-to-Digital Recording System


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Numark PT01USB Turntable Review

Numark PT01USB Turntable
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I ordered this turntable to transfer recordings from my old 78 records to my computer. It came with a software CD, which [as with any USB turntable] transfers the files from the turntable to the computer and lets you clean up the 'noise.' The CD that came with the turntable did not have the right software for my Mac, but I downloaded the recommended - and free - 'Audacity' software from audacity.sourceforge.net. along with a PDF version of the user manual. If you use a PC rather than a Mac you should not have this problem. Being a novice, it took me a few hours of reading and experimenting to get things working the way I wanted, but I'm completely satisfied with the result. A great USB turntable at a great price.

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Numark Turntable with usb Review

Numark Turntable with usb
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If you're just looking for a way to rip your vinyl to MP3's, there are much cheaper and easier ways to do it. Check out Audio Technica AT-LP2DUSB LP-to-Digital Recording System with USB, Ion iTTUSB Turntable with USB Record or Numark TTUSB Turntable with USB for example.
This product is made for DJ's, and as a professional DJ turntable it is an excellent product. The USB interface gives you a handy way to rip your vinyl to your hard drive if you're moving toward a digital DJ setup, but that feature is just icing on the cake. Its strong, variable torque makes it ideal for scratch DJ's or for fast startups. It's very solid and heavy which means fewer skips at live gigs. It has a built in BPM counter for beat matching. It can also be reconfigured for "battle-style" configurations. Pair it up with a good cartridge like the Shure M44-7H Scratch Cartridge with Headshell and you're good to go. I've used Technics SL-1200's professionally and I actually prefer these decks, and they are much less expensive than the 1200's.


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Blue Microphones Icicle XLR to USB Mic Converter/Mic Preamp Review

Blue Microphones Icicle XLR to USB Mic Converter/Mic Preamp
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I bought the Blue Icicle because I had to quickly record some trumpet lines and I didn't have an interface. Well, actually, I did pick up an open box unit that didn't work because they couldn't provide me with the external power supply, so I took it back and got the Icicle as a quick fix that would get me where I needed to go in a timely manner.
Hardware: iMac, dual core 2.0 GHz processor and 4 GB or RAM. OS 10.5.8.
Software: Garage Band.
Mic: Shure SM57.
Pros. For recording trumpet with an SM57 it was perfect. Clear sound, low noise, LOTS of signal. With the gain a little over half way on the Icicle and about 58% in Garage Band I got hot horn lines with gain to spare. Any hotter and they would have started clipping, so it definitely gave enough signal to get the job done.
Cons. The gain knob has no dial or indicators for how far you have turned it - it has to be done by feel making it almost impossible to duplicate your settings exactly. This could be improved with a knob with an arrow and a marked dial so you can see where it's set. It also feels a bit cheap - it's lightweight and feels almost fragile. Treated with care it's fine, but I doubt it would take much abuse before it would break and I have been ultra careful with it because it feels so lightweight and cheap. I also used it as recommended in the accompanying literature and didn't plug it directly into the back of the mic - I used it with a mic cable.
For what I needed it was perfect - simple plug and play that got good sound into my computer, and it worked well in a pinch. I just wish it was a little higher quality in terms of construction. A bit heavier and a better dial for the analog gain, and I would have rated it a full 5 stars but as it is, I can at best give it 4.


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The Icicle is Blue's new stylish USB converter and mic preamp combo that allows you to connect any XLR microphone directly into your computer via USB. The Icicle features a studio quality microphone preamp, 48V phantom power, fully balanced low noise front end, analog gain control, and driverless operation.

Make Any Mic a USB Mic The Icicle works with both dynamic and condenser microphones, providing high quality and hassle-free connectivity with Mac or PC. Whether you're using a microphone for digital recording, podcasting, voice messaging, or voice recognition applications, the Icicle is the quick and easy way to get connected.
Plug and Record Simply plug in the USB cable and your mic will be live--no special driver installation is required.
Quality and Simplicity The Icicle features a built-in, studio-quality mic preamp, along with a fully balanced, low-noise analog front end to send a clear signal via USB.
It also supplies 48V Phantom Power for condenser mics.
On the control front, the Icicle keeps it simple, with a single analog volume level control.
What's in the Box Blue Icicle, 6-foot USB Cable

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MAudio Torq Connectiv Vinyl CD Pack - 9900-51978-00 Review

MAudio Torq Connectiv Vinyl CD Pack - 9900-51978-00
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I just got the Torq software with control vinyl and all i can say is WOW. I was going to get the Rane Serato years ago and never did because of the price and i had all my music on vinyl. I saw a few videos and wanted to be able to use my iTunes music. It works great. hookup was easy and best of all no burning cd's... There are so many features built in, that i haven't even been able to try them all. I am using it with technic 1200's with Stanton groovemasters and a Rane MP2016 mixer. It makes DJing so easy that i think anyone can beatmatch. I dont even use headphones sometimes because you can "see" the music. if you know the music your playing you can just see the beats and time remaining. I even set cue points (up to 4) where the vocal or big bass beats come in and it saves them. the cue points are marked and come up every time you load the song. The BPM also store so picking music is easy to keep up the same tempo's You can make loops... samples... store effects... or even store a whole sequence of effects. I think to get the most out of it you really need a separate Midi controller. Thats my next purchase i think. I would highly recommend this program. I haven't tried any other programs to compare but after Djing 15 years with vinyl and CDJ 1000's and no software... I'm hooked!

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Akai MPK 49 Controller Keyboard Review

Akai MPK 49 Controller Keyboard
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First of all, the pads DO suck. MPC's are known for their pads so you'd think Akai would at least be able to put the same type of pad/contact design on their MPK line. Instead they put a bunch of pads with no play that feel like buttons and make the keyboard housing vibrate when you pound them. On top of that they placed the contacts so far away it's damn near impossible to get 127 velocity on the pads without going Full Level. Even my LPD8 feels better than this thing. And even though they look like the MPC1000 pads, the 1000 pads are twice as thick as the ones here. I would have loved for them to have put the 1000 pads on this. At least then I'd be able to play back a chopped loop without feeling like I'm dialing a phone number.
The best part of the controller is the control surface. The transport keys, knobs, and sliders feel great. The LCD screen looks great.
Something unique about the controller is that it has built in MIDI settings that mimic classic MPC functions (16 level, MPC swing, note repeat). Too bad the pads keep you from fully enjoying these features.
The keys are decent but slightly noisy because they vibrate on release. The controller is also one of the few 49 key controllers out there with aftertouch. I prefer the lever-like feel of the Axiom when it comes to using aftertouch but the keys here are not a dealbreaker.
There's also a simple arpeggiator you can use. It's fairly simple in that there are only 5 settings you can use to separate notes in a chord. If you've used a more sophisticated arp (like the one on a Yamaha KX8), you'll be disappointed though.
The MPK is a good controller but Akai could have done way better than this. If you're using this for the keys and control surface it's a decent investment. But if you're thinking of buying this for the pads so you can drum and play back chopped loops, get an MPD instead.

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More than just a USB/MIDI controller, the Akai MPK49 USB/MIDI Controller Keyboard helps you maximize your musical ideas on-stage or in the studio. It combines a high-quality, 49-key, semi-weighted keyboard with aftertouch and 12 genuine MPC drum pads. It also offers 48 total accessible pads via 4 pad banks, and you can control up to 72 different parameters via 24 assignable Q-Link knobs, faders, and buttons as well as optional footswitches.


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