Showing posts with label garageband. Show all posts
Showing posts with label garageband. Show all posts

Alesis IO2 Express Review

Alesis IO2 Express
Average Reviews:

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Got this unit with some reserve....I had an M-audio Fast Track, and I was not sure why the Alesis was so affordable and with 2 IN for the instruments or mic.
The quality of the case is very low; cheap plastic for the case and the knobs, same for the switches and mic connectors; the only metal parts are the 3.5 inch jack where you plug your guitars or your external equipment, and the headphone OUT
The unit itself looks cheap, but what it matters is what it does; and this pup does it right.
I've hooked it to my Mac pro via USB, and as soon as i plugged it, Snow leopard recognized it; I just had to switch my audio settings to redirect the audio in, audio out and system sounds to the io2 and everything is set up.
I am happy to hear no noise even if the volume is cranked up, while wearing headphones; this means that either the circuit board is well done, or the unit is well shielded from external interference (the fasttrack would give a disturbing hiss now and then; that would disappear if i would change position to the unit of few inches)
The mic in works great; plugged in a mic and it works just fine; setting the knobs is a cakewalk since they are pretty precise and does not make any noise while twisting them (again, means that the people that put this together did a good job shielding the unit; we will see how good is shielded from dust, since that is one of the main causes of noise while twisting the knobs)
the Line in/Guitar in works also great; plugged in my guitar and increased the gain and the sound was really good; tried it with garageband and guitar rig 4 and the latency was under 10ms; versus 18ms with the FastTrack; the Phantom +48v is also useful if you just plug the guitar without amplifier; in this way you can use a sound modeling software like guitar rig and play nice effects directly into your computer, saving the hassle to bring in interference and other noise that would come from the amplifier or pedal.
The recording was also awesome; you can tell that the quality is high when you listen at something recorded with the io2, using Bose headphones or a good audio equipment; the quality was same if not better of a 196kbps MP3, even at high volume and using software equalizer.
The chance to use 2 IN at the same time (2 guitars, guitar and mic, mic and line in and so on) opens up a lot of possibilities; tried with mic and guitar and it works fine; giving you control on each separate channel (the +48v gain works globally on both IN ) with separate knobs for the gain and 2 extra knobs to control the mix between the wet and dry sound (so you can listen the sound of the instrument before being processed by the computer, and after)and to control the main level.
In the end i give this unit a 5 star, since even if is cheaply made; feels pretty solid when you actually use it; and cost much less than any other comparable external usb unit for mac.

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Audio-Technica AT2020 USB Condenser USB Microphone Review

Audio-Technica AT2020 USB Condenser USB Microphone
Average Reviews:

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This is my video review of the AT2020 USB microphone from Audio-Technica. USB Microphones are made to be plugged in directly to a laptop or desktop. I connected this to a Vista 64 laptop during filming and did the voice over on a Macbook Pro.
Text review:
I give this product a 5 star rating. It is easy to use, high quality and very competitively priced. This is a great desktop mic to use for making podcasts or recording music.
I am not a musician so I am not able to speak to that aspect of the microphones ability. I did use it to make several voice over videos and it performed perfectly. Never a hick-up or any spurious noises heard at all.
I did not include specs into my video review because it would add to the file size and be too small to read here on Amazon's video player.

Regular readers of my reviews know I try to supply specs when necessary.
Here are the specs:
Element:Fixed-charge back plate permanently polarized condenser
Polar pattern:Cardioid
Frequency Response: 20Hz-16,000Hz
Power Requirements: USB power (+5VDC)
Bit depth: 16
Sample Rate:44,000 kHz
Weight: 374g (13.2 oz)
Dimensions: 162.0 mm (6.38") long
52.0mm max body diameter (2.05")
Output connector: USB type
Accessories:Pivoting stand for 5/8"-27 threaded stands, 5/8"-27 to 3/8"-16 threaded adapter, soft protective pouch, tripod desk stand; 3.1m 10' USB cable
System Reqs: Mac OSX, USB 1.0 or 2.0 64MB RAM minimum. Windows XP Home or professional USB 1.0 or 2.0 64MB RAM minimum.
So for a great USB microphone I recommend this highly!
About the video: After uploading I noticed that Amazon's codec (video compressor) has made the video quality sub-par. I will try to reupload it again with a different codec.
Thank you for watching!

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The new AT2020 USB offers studio-quality articulation and intelligibility with modern convenience. It plugs right into your computer's USB port, and functions seamlessly with your favorite recording software. Equipped with a USB digital output, the AT2020 USB is perfect for home studio recording, field recording, podcasting, and voiceover use.

Based on the Renowned AT2020 The AT2020 USB is a side-address studio condenser based on the design of Audio-Technica's critically acclaimed AT2020 cardioid condenser microphone, which can be found in studios worldwide. Like the AT2020, it features a low-mass diaphragm, custom-engineered for extended frequency response and superior transient response. The Cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source.
Digital-Ready With low self-noise, the AT2020 USB is perfectly suited for sophisticated digital recording equipment. Audio-Technica's state-of-the-art design and manufacturing techniques ensure that the microphone complies with the company's renowned consistency and reliability standards.
This means you'll get crystal-clear, natural sound for podcasting, home studio recording, field recording, and voiceover use.
AT2020 USB Specs
Element: Fixed-charge back plate permanently polarized condenser
Polar Pattern: Cardioid
Frequency Response: 20 -16,000 Hz
Bit Depth: 16 bit
Sample Rate: 44.1 kHz
Power Requirements: USB power (5V DC)
Weight (less accessories) 13.2 oz (374 g)
Dimensions: 6.38" (162.0 mm) long, 2.05" (52.0 mm) maximum body diameter
Output Connector: USB-type connector

Audio-Technica 20 Series--Affordable Pro Audio Microphone Solutions Audio-Technica's stringent consistency, reliability and quality standards bring professional performance to this extremely affordable line of home/project studio microphones.
What's in the Box AT2020 USB microphone, tripod desk stand, pivoting stand mount, USB cable & storage pouch

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Infrasonic Quartet Pci Aud I/F Review

Infrasonic Quartet Pci Aud I/F
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I purchased this card so I could do 192000 sampling with my Windows 7 64bit Computer. It works perfect and was easy to setup.
The company I bought it from had a great price and shipped promptly.I am very pleased.

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MAudio Audiosport Quattro 4x4 USB Audio/MIDI Interface Review

MAudio Audiosport Quattro 4x4 USB Audio/MIDI Interface
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I use this item for a virtual DJ setup with my technics 1200's and finalscratch time coded vinyls @ 125grams. I also use groovemaster IIrm and IIpro which suites my needs for beatmixing. This was my last piece of DJ equipment to complete my setup. Don't be fooled by the usb...it boast a latency under 10ms depending on PC configuration. I bought mine on ebay for 105. make sure you use TS to rca cables when you connect your preamp from your turntables to you quattro. you have to use all the channels for it to work with all virtual dj software. kudos to m-audio, they know whats up

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M-Audio's Quattro USB audio interface is perfect for any application that requires high-quality audio as well as portability and/or compactness, such as tight studio spaces. The Quattro provides four .25-inch TRS analog audio inputs and four analog audio outputs in the ASIO (Audio Stream Input/Output) format and two in/out in Windows MME (multimedia extensions) or when using the Macintosh Sound Manager. It also offers a front-panel 1 x 1 MIDI port.High-performance, 24-bit/96 kHz analog-to-digital and digital-to-analog converters ensure faithful reproduction coming and going, and all audio inputs and outputs are switchable between balanced (+4 dBu) and unbalanced (-10 dBV) operation to accommodate professional and consumer devices--and to work between them. Each 1/4-inch jack will accept either TRS or TS 1/4-inch plugs.You may connect the output of a line-level instrument such as an electronic keyboard or instrument preamp, the output of a microphone preamp (a mic preamp is required for use with a microphone), or the output of a CD player or similar line-level device.The Quattro lets you record at any sampling rate that your recording software will allow, up to 96 kHz at 24-bit resolution. You can also work at 16 or 24 bits with a sampling rate of 48 kHz or less. An ASIO control panel comes with your driver software, which lets you set the Quattro to its different operating modes. If you are not using ASIO or otherwise wish to monitor the signal at the Quattro inputs, a convenient direct/monitor switch bypasses the computer so you can directly monitor the input signal present at the Quattro.When all four input and output stereo pairs (two input pairs and two output pairs) are enabled, the Quattro will operate in 16-bit mode at either the 44.1k or 48k sampling rates. With three stereo pairs enabled, i.e., either one input and two output pairs or two input and one output pair, the Quattro will operate at 48 kHz sampling rate or lower, and at either 24- or 16-bit. When one stereo pair is enabled and in 24-bit mode, the Quattro will operate at the 96 kHz sampling rate or lower.You may connect the four outputs of the Quattro to a mixing console, or use two of the outputs for a stereo send to a monitoring system (power amp and speakers, or a home stereo), powered speakers, or a headphone amplifier.The Quattro can be your only MIDI device, or it can be used in conjunction with as many other MIDI devices in your system as your music program allows.
Additionally, the Quattro can be used in conjunction with M-Audio's Omni I/O desktop recording system (not included). The Omni will add two microphone/instrument preamplifiers to the Quattro inputs, and a mixer to the Quattro outputs. The Omni will let you blend MIDI keyboards with audio tracks, add effects to the Quattro outputs, and control monitor and headphone levels while mixing down.What's in the Box Quattro USB audio interface, one (1) USB cable, one (1) 9V AC 1,000mA power supply, one (1) driver disk containing drivers and additional software, and a user's manual.Note: It's usually possible to connect multiple devices to your USB port through the addition of a USB hub. The Quattro, however, requires all of the bandwidth that is available to the USB port, and therefore it is required that you plug the Quattro directly into your computer's USB port, and not into a USB hub with other USB devices. MIDI operation on Macintosh computers requires the OMS MIDI Manager from Opcode, which must be installed prior to the installation of the Quattro drivers.

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Blue Microphones Icicle XLR to USB Mic Converter/Mic Preamp Review

Blue Microphones Icicle XLR to USB Mic Converter/Mic Preamp
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I bought the Blue Icicle because I had to quickly record some trumpet lines and I didn't have an interface. Well, actually, I did pick up an open box unit that didn't work because they couldn't provide me with the external power supply, so I took it back and got the Icicle as a quick fix that would get me where I needed to go in a timely manner.
Hardware: iMac, dual core 2.0 GHz processor and 4 GB or RAM. OS 10.5.8.
Software: Garage Band.
Mic: Shure SM57.
Pros. For recording trumpet with an SM57 it was perfect. Clear sound, low noise, LOTS of signal. With the gain a little over half way on the Icicle and about 58% in Garage Band I got hot horn lines with gain to spare. Any hotter and they would have started clipping, so it definitely gave enough signal to get the job done.
Cons. The gain knob has no dial or indicators for how far you have turned it - it has to be done by feel making it almost impossible to duplicate your settings exactly. This could be improved with a knob with an arrow and a marked dial so you can see where it's set. It also feels a bit cheap - it's lightweight and feels almost fragile. Treated with care it's fine, but I doubt it would take much abuse before it would break and I have been ultra careful with it because it feels so lightweight and cheap. I also used it as recommended in the accompanying literature and didn't plug it directly into the back of the mic - I used it with a mic cable.
For what I needed it was perfect - simple plug and play that got good sound into my computer, and it worked well in a pinch. I just wish it was a little higher quality in terms of construction. A bit heavier and a better dial for the analog gain, and I would have rated it a full 5 stars but as it is, I can at best give it 4.


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The Icicle is Blue's new stylish USB converter and mic preamp combo that allows you to connect any XLR microphone directly into your computer via USB. The Icicle features a studio quality microphone preamp, 48V phantom power, fully balanced low noise front end, analog gain control, and driverless operation.

Make Any Mic a USB Mic The Icicle works with both dynamic and condenser microphones, providing high quality and hassle-free connectivity with Mac or PC. Whether you're using a microphone for digital recording, podcasting, voice messaging, or voice recognition applications, the Icicle is the quick and easy way to get connected.
Plug and Record Simply plug in the USB cable and your mic will be live--no special driver installation is required.
Quality and Simplicity The Icicle features a built-in, studio-quality mic preamp, along with a fully balanced, low-noise analog front end to send a clear signal via USB.
It also supplies 48V Phantom Power for condenser mics.
On the control front, the Icicle keeps it simple, with a single analog volume level control.
What's in the Box Blue Icicle, 6-foot USB Cable

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Stanton FSOPEN Final Scratch Open Review

Stanton FSOPEN Final Scratch Open
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What a flaky company. This is basically new old stock with no current software development planned or promised. Even though Stanton claims differently, it does not work on Mac OS 10.6 or Intel Macs. "Open" means they opened up the software hoping someone else would develop something for it, but no one ever did. A huge waste of money.

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Native Instruments Audio Kontrol 1 Interface Review

Native Instruments Audio Kontrol 1 Interface
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Audio Kontrol 1 is an elegant piece of hardware -- with physical heft, great software, nice sound quality, and a plethora of inputs (midi in and out, XLR in, and 1/8" in). This isn't for the project studio that relies on recording multiple inputs simultaneously, but not everyone needs that. It also comes with terrific soft synth and amp simulation software. The soft synth organs are excellent and unusual, with wonderful vintage timbres. If you don't have a FireWire input (which has superior throughput), this is the best USB solution I've used that combines midi and audio in a sleek, durable, and attractive package.

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Apple Garageband Jam Pack: Remix Tools Review

Apple Garageband Jam Pack: Remix Tools
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With Garage Band's standard-issue synth patches and loops, it was hard to make new music without using the same sounds more than once. With these Jam Packs, I can get lost just finding loops to use - which is a really good thing! Definitely worth the money!

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Blue Microphones Snowball USB Microphone (White) Review

Blue Microphones Snowball USB Microphone (White)
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Always hold it close to your mouth to eliminate echo and get that deep, rich satin voice you're looking for!

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Includes: tripod stand.Blue Microphones Snowball - Round and white, the Snowball lives up to it's name, and features a retro style that harkens back to the early days of audio. But on the inside, the Snowball represents only the most modern in microphone technology. Bringing you professional quality audio recording on the PC or Macintosh via USB. It's perfect for everything from soft vocals to a loud garage band. It's also ideal for professional sounding podcasts. PC Requirements - XP Home or Professional Edition, USB 1.0 or 2.0 port, and a minimum of 64MB of RAM Mac Requirements - Mac OSX, USB 1.0 or 2.0 port, and a minimum of 64MB of RAM

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Mackie Onyx 1620i FireWire Recording Mixer Review

Mackie Onyx 1620i FireWire Recording Mixer
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this mixer is amazing. if you have wanted to build a project studio or record your band in your rehearsal space, this is the mixer you need.
the pre's sound great. very quiet (even when jacked).
the eq is really fun to play around with. you can really find the sound you are looking for with a few tweaks.
i'm using Ableton as my recording DAW. it's really snappy and after a few tweaks, very hard to notice any latency.
the Firewire I/O also works with Pro Tools, which is great. the driver is available for purchase on the mackie website.
for this price, you won't find anything even close to the same ball park.


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M-Audio Fast Track Pro 4x4 Mobile USB Audio/MIDI Interface with Preamps Review

M-Audio Fast Track Pro 4x4 Mobile USB Audio/MIDI Interface with Preamps
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This thing CAN sound AMAZING-- but it probably won't, unless you are very careful. Make sure you have the latest drivers. Don't even BOTHER with the MME ("wave") or WDM drivers; it's ASIO or nothing, because M-Audio's MME/WDM drivers are so bad, I was completely convinced this thing had both a noise gate and a lousy ADC, when it turned out to be driver issues.
The pre-amp doesn't have as much gain as you might hope, but if you've got it cranked and you can barely get anything out of an SM-57, something is WRONG with your install. Try using ASIO. I had absolutely horrible results with Adobe Audition 1.0, but the 2.0 demo, using ASIO, a few reboots, and some tweaking, finally sounds perfect.
That said, the headphone output on this thing is awesome. Oh, rock on.
I hope I can get this thing working properly, because the only real competition is about three times the price.
NOTE: This device has PARTIAL support available for Linux/ALSA, with more on the way. That is independent support, mind you-- NOT M-Audio drivers.
I will revise/replace this review as I see better results; this is already better than my last one.

Click Here to see more reviews about: M-Audio Fast Track Pro 4x4 Mobile USB Audio/MIDI Interface with Preamps

The M Audio Fast Track Pro delivers all the mobile recording flexibility of the Fast Track USB, plus evenmore professional features. You get 2 front-panel mic/line inputs complete with phantom power for condenser microphones, inserts for outboard effects, balanced and unbalanced analog outputs, S/PDIF digital I/O, MIDI I/O, and more. Fast Track Pro also features near zero latency direct hardware monitoring and low-latency ASIO software monitoring, plus an A/B source switch and dual output pairs for DJ-style cueing. Fast Track Pro is compatible with most popular PC and Mac music software. USB connection and bus power along with class-compliancy for Mac OS X make it a breeze to set up. M Audio Fast Track Pro Features 4 x 4 24-bit/44.1kHz audio interface 2 front panel mic/instrument preamp inputs (Neutrik XLR/ 1/4-inch TRS) with: Gain controls Signal/peak lights Pads for each input Insert jack (1/4-inch TRS) for outboard processors 2 balanced outputs (1/4-inch TRS) 4 unbalanced outputs (RCA) SPDIF digital I/O with 2-channel PCM SPDIF out also supports pass-through of AC-3/DTS surround-encoded content 1 x 1 MIDI I/O with activity LEDs Headphone output (1/4-inch TRS) with level control headphone A/B source switch for DJ-style cueingLIInput/playback mix control for hardware direct monitoringLIMono switch for input/playback direct monitoringLIMaster output level controlLINear zero-latency hardware direct monitoringLow-latency ASIO software monitoringLIUSB connection to computerLIPowered via USB or optional AC power adapterLIKensington lock portLIMac and PC compatible; class compliant with Mac OS X 10.3.9 and higher/UL

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