Showing posts with label technical pro. Show all posts
Showing posts with label technical pro. Show all posts

Technical Pro DRW-3U 3U Rack Mountable Drawer (Black) Review

Technical Pro DRW-3U     3U Rack Mountable Drawer (Black)
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It's a 3U drawer, comes with rail ears and handle for you to bolt on. It's made from thin sheet metal. It is not impervious to UPS handling, but bends back into shape easily. It has a lock. It is not, however, secure. One sharp tug will defeat the lock due to the light gauge of the material. It's certainly not worth list, but at fifty bucks, I don't feel abused.

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Technical Pro DA-B4000 2 Channel 4000 Watt Digital Amplifier (Black) Review

Technical Pro DA-B4000   2 Channel 4000 Watt Digital Amplifier (Black)
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This Amp got to me just in time for a gig were we needed an extra set of monitors. Sound is clear no heat, raw power. very satisfied also own the DA-B3000 for my studio. Technical Pro is putting out some great products and Amazon.com is providing over the top service.

Thanks George kissimmee FL.

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Technical Pro DRW-2U 2U Rack Mountable Drawer (Black) Review

Technical Pro DRW-2U     2U Rack Mountable Drawer (Black)
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Unit is functional but I'd only use in an home setting would not put anything of any substantial weight in it (might apply more to the larger 3U or 4U versions from same manufacturer). The drawer glides and and metal are both light duty at best. The chassis had some mild dents/deformations and the front panel on the drawer was bent, apparently just from shipping. There is a large "TECHNICALPRO" logo stamped in the metal on the top of the unit as well as silk screened on the front of the drawer along with the model number (DRW-2U in this case). I think the manufacturer would do better take the cost of this "branding" and sink it into better quality materials. The "features" indicate "removable" rack ears and drawer pull handle. Translation: the unit ships without these attached. I'm having a hard time coming up with a reason you would make rack ears removable on a rack mount drawer so I'm calling this "feature" a cost cutting measure as it allows the unit to be packed in a simple cardboard box that requires no supplemental packing materials. Considering most of the other rack mount drawers of this size are at least 50% more expensive, I can see the appeal of this unit at its price point. I offer this review as information on the differences. Key down points: light gauge metal, low quality drawer glides, some assembly required. Key Up Points: inexpensive and for the most part functional.

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Technical Pro DA-B3000 2 Channel 3000 Watt Digital Amplifier (Black) Review

Technical Pro DA-B3000   2 Channel 3000 Watt Digital Amplifier (Black)
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The DA-B3000 is one top notch CLASS D power amp. Considering it's size and weight, the performance is outstanding. It pumps 300 watts rms per channel @ 8 ohms. I've had it for awhile now and so far it's been flawless. The only disadvantage I can see is it's not bridgeable for running in mono. It is safe however to run the amp without a speaker connected to one channel. This is according to their Tech Support as well as my own experience. Tech Support also told me NOT to run this amp with 4 ohm loads. It's 550 watt per channel power rating is for a 6 ohm load, although I don't know of a practical way to accomplish that. I'm using it as a power amp for my pedal steel guitar (fed by a PODxt as the preamp). It would be great for bass guitar and standard PA applications as well. The price is very reasonable so definitely check this thing out. It will blow you away!
* * * * *

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VocoPro SUB-1500 200W 15-inch Powered Subwoofer Review

VocoPro  SUB-1500 200W 15-inch Powered Subwoofer
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I missed having the control of a powered subwoofer, so when this Vocopro went on sale before Christmas I jumped on it. My wife shook her head wondering why I bought it, but even she noticed the difference immediately. I had been using a Panasonic blueray 7.1 surround system with a passive subwoofer. Even on he lowest setting the bass was overly boomy. The variable crossover and volume control makes it very flexible.
I bought the sub mainly to augment a couple of 8 inch Pyle DJ speakers for the occasional music/sound gig I do for a local ski/social club. But once I got the sub unpacked, I found it fit perfectly where the Panasonic sub had been. With only 200 watts and 15 inch driver, it's not a professional DJ sub. But it works well mated to a pair of small cube speakers from the Panasonic system, plus the center channel speaker from the same system. Now I use an older AV Receiver with a sub output in a 3.1 sound system, and it sounds better than ever.
I ended up moving the blueray system to another room, and used the passive subwoofer, 2 more cube speakers, and an extra center channel speaker I had. I don't even use the full range "tower" speakers that came with the system.
I haven't used the subwoofer yet for one of my sound gigs, but I'm pretty sure it will work great. It'll be easy to move given the built in handles and reasonable weight. If I keep using the AV receiver, I'll set it up to send signals < 100 hertz to the sub and over 100 to the Pyle speakers. Even though the Pyles are rated to 50 hertz, I figure they'll sound even better if I don't push them to their limits.
Update: April 9, 2011
Used the Vocopro sub last night with my Panasonic AV receiver and Pyle 8 inch speakers on Pyle Stands. See my review under the PADH879 product. I think the sound was pretty good given it was my first time using this combination. I set the main speakers to "small" and left the subwoofer crossover setting on the receiver at 100 hertz--the lowest available. In a perfect world, it probably would be better to have smaller mains (6 1/2" maybe) with higher minimum frequency range than the 50 hertz minimum on the Pyle 8 inch. There are some sub/satellite speaker packages available in the $500 range that are better matched than my set up. If I did it all over again, that is the way I'd go.
Still, my set up seemed to fit the venue last night. Even though the sound level where I was seemed loud, the level on the dance floor was pretty good. I think you need a certain level of volume and "presense" to envelope the dancers in sound. Maybe it's just me, but I think it feels weird being on the dance floor when the music is too "thin". Despite the ample sound on the dance floor, the level quickly dropped off. This allowed the people at the bar and beyond to hold fairly normal conversations without losing their voices by the end of the evening.
I would highly recommend to small clubs and organizations to invest in their own music systems. It cost our club about $200 to rent a system that was overkill for our venue. A dj usually runs close to $300, and even small bands cost $400 to $650. If your club is like ours, attendance at meetings and even membership levels in general are depressed. I think we had 40 to 45 people last night at $5 a head. With that attendance level, it's tough to breakeven using the rental option. An investment in a small sound system and a volunteer to act as DJ is a viable option.


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