Showing posts with label ableton. Show all posts
Showing posts with label ableton. Show all posts

Akai APC20 Compact Ableton Controller Review

Akai APC20 Compact Ableton Controller
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When I first saw a DJ at the San Diego Media Arts Center using this thing at a laptop jam, I thought it was incredible... but when he told me the price he paid on Amazon I thought it was doubly incredible. If you already have Live, the APC20 is a bargain by itself. But if you don't have Live, this package is TRIPLY icredible since it comes with an almost fully functional version (much more functional than standard Live Lite) thus saving you hundreds of bucks! I think the software alone would be worth the price for someone like me... a dabbler without deep pockets.
Caveats & Quibbles
I run XP and had trouble with drivers, but I got a quick helpful response from Akai support. I also had some VST plug-in hangups. They seemed to resolve themselves when I uninstalled and reinstalled. If that doesn't work for you, finding which plug-in is causing the problem can be tedious.
The included USB wire was kinda short (maybe 3 feet). And the USB doesn't power the APC20; you need to plug in an additional wire to a power source.
The biggest potential problem... once you fire up this sucker you can kiss normal life good-bye. You'll be lost for hours playing with infinite push-button permutations of polyphonic pow-ah!


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Korg nanoKONTROL USB Controller, Black Review

Korg nanoKONTROL USB Controller, Black
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I'm a laptop musician and I've gotten extremely tired of staring at the screen, twiddling virtual knobs one at a time with my mouse. When Korg introduced the nano line, I practically ran to the store to check them out. The nanoKONTROL is almost perfect for my setup, and for under sixty bucks I couldn't walk out without one.
First off, this is definitely NOT plug-n-play, but it's a breeze to setup. I use Ableton Live and it immediately recognized the nanoKONTROL and let me assign functions to each button, knob, and slider with no issues at all. It revolutionized my live show because I can suddenly operate multiple faders and trigger multiple audio loops at once, all in a unit that's smaller than a carton of cigarettes. There are only nine fader/knob sets, but you can change 'scenes,' which essentially transposes the controls up to the next bank of nine, effectively giving you 36 fader sets. It even has lights so you can see what's triggered on a dark stage. I've had this for a good four or five months now and have never had any problems- after setting it up, simply plug it in and you're good to go.
The nanoKONTROL also ships with a copy of the Korg Kontrol Editor, which is a little program you can use to alter the firmware of the device. The Editor allows you to change the parameters of your nano- what kind of midi signal is being sent, the channel, the toggle, the high and low values, et cetera. You can even save multiple editor files, so you can switch between settings depending on what program you're using. Absolutely brilliant.
There is one con to this unit, and I'm not gonna lie: it feels chintzy. When I first picked it up, I had to laugh because it's such a lightweight piece of plastic that it feels more like a child's toy than a piece of equipment. I feel like one little drop and this thing will shatter into bits. The knobs and faders are cheap as hell and before you plug it in, you will feel a little ripped off. BUT AFTER YOU PLUG IT IN, you will realize that those tacky knobs and faders are extremely responsive and you just got a great controller for the price of a decent dinner for two.
I've heard mixed reviews of the other nano products, especially the keyboard (seriously, you can buy an old Oxygen 8 for almost the same price, so get some real midi keys), but I HIGHLY recommend the nanoKONTROL. You'll love it.

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Part of the super-compact nanoSERIES, Korg's nanoKONTROL offers nine faders, nine knobs, 18 switches, plus a full transport section for expansive control; even a flexible note input mode to help you lay down your next big groove.

The Korg nanoSERIES The Korg nanoSERIES provide a keyboard controller, a pad controller, and a studio controller with dedicated transport controls. Each of these USB-powered, slim-line controllers is designed to make the most of your valuable studio space, and is small enough to take with you on any musical journey. Place one of our keyboard controllers in front of your laptop, rest a pad controller on your music workstation, park a studio controller on your recording console--or anywhere else you need versatile control over your DAW, virtual instrument, effect or DJ software. Although small in size, all three nanoSERIES controllers go HUGE when it comes to functionality, yet their intuitive layouts provide extremely easy operation for any user.
nanoKONTROL--The Most Expansive Array of Controls For Its Size--Period The nanoKONTROL features a plethora of controllers to help you get the most control out of your software for the size and money. nanoKONTROL offers nine faders, nine knobs, 18 switches and a full transport section. For each of the four programmable scenes the nanoKONTROL offers, you can set the controllers any way you need them. That means that you can transmit a total of 168 different MIDI CC (Control Change) messages, as well as MIDI notes with the switches. The six transport buttons can each transmit either MIDI CC messages or MMC messages to control functions such as: start, stop, loop, or record on your DAW software.
Imagine taking full control of your software--transport, a full track's worth of faders, pans and mutes--or how about precise dedicated control over the many parameters of software synths, samplers or virtual drum machines. It's all possible with the nanoKONTROL.
To add to the nanoKONTROL's flexibility, an attack and decay time can be specified for the eighteen switches. This allows you to smoothly feed controller messages into parameters such as wet/dry levels for an effect, a filter for a synth, or a volume fader for that perfect fade.
What's in the Box Korg nanoKONTROL, USB cable, Owner's Manual

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UDG Creator Serator Record Sleeve - Black Review

UDG Creator Serator Record Sleeve - Black
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These were hard to come by for a while, but worth the wait. I wouldn't carry it to a gig with just one set of vinyl-it's much more rigid when it's full. Individual slots hold all the control vinyl you'd ever need at a gig. Keep your eye on it-cool stuff that says "Scratch Live" on the outside tends to disappear in a club...

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Korg PadKontrol USB Drum Pad Studio Controller, White Review

Korg PadKontrol USB Drum Pad Studio Controller, White
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The KORG padKontrol has only one purpose and that is to make the use of its input pads easy, flexible and reliable. The included manual is very thorough and explains every aspect well. The included editor software called Librarian, lets you program the entire pad very easily and requires little instruction, it is mainly click the image on the padKontrol on the screen and then set its parameters.
The pads are really what sets this unit apart though as they will register a hit even when they are struck on an edge or corner. If you've got sloppy fingers and are triggering things accidentally then just adjust the velocity curves to dial back the sensitivity. The pads light when the trigger which is a nice way to instantly see that you have a successful input. They can be set as momentary on/off or as toggle types. In toggle mode they act more like a switch where one hit turns it on and a second hit turns it off which is useful for sending MIDI events that you may want to remain "ON" longer than a split second like the momentary trigger gives.
The other buttons also light up as they are used which gives good feedback. The knobs are solid and have a very smooth action to them. The feet on the bottom of the unit are really sticky, not in a glue or tape sort of way, but rather in a it stay where you put it despite tapping away at it like mad. The touch-pad allows some very cool roll/flam effects but takes some practice to use well, it can also be reassigned to other functions.
Mine came with software samples from several manufacturers in the box. I am especially pleased with the one from Pianoteq and KORG's own M1Le synth engine. Those were unexpected, are very functional and have me thinking of actually upgrading them to their respective full versions.
KORG is a top tier name and this unit lives up to the reputation. Do not settle for cheaper imitations, you can see a big difference in quality.

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BEHRINGER BCF2000 USB MIDI RECORDING+MIXING CONTROLLER Review

BEHRINGER BCF2000 USB MIDI RECORDING+MIXING CONTROLLER
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For this price you will not find another control surface with this flexibility. I've got it controlling Adobe Audition 3 and it is working flawlessly. My ratings for ease of use and features are relative to the price.
Programming the unit is not as simple as some would have you believe, although you can find presets online for most DAWs and I found a template detailing what the default functions are for AA3. Easy to get up and running and with a little googling its simple to figure out what you need to. I would buy it again and have recommended it to everyone I know who has a similar setup at home.
mhlavinatgmaildotcom

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Ableton Live Intro Software Review

Ableton Live Intro Software
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Intro is limiting and can be annoying (only 8 tracks can be in a song, 12 effects, etc.) but for the price its a good deal. If you want to learn what Ableton Live has to offer its a good buy but if you have the money I vote for buying the more complete software.

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M Audio X Session Pro Mixer DJ Controller Review

M Audio X Session Pro Mixer DJ Controller
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Well, first off, I'd like to share just a short bit of hell that I went through to get this item, and NOT because of Amazon (they were excellent). I did my research for a good 2 weeks trying to find exactly what I needed for the software I've been using. Currently I've been spending every night after work enjoying my X-Session Pro with PropellerHead's Reason 4.0. Anyways, after doing my research I knew exactly what I wanted and needed. I ended up going to 2 different guitar centers in Manhattan, one of which told me they didn't even carry the item (even though I had the printed item from guitar center's website in my bag). Anyways, after a long drawn out battle with Guitar Center, including an online order which after a week of not shipping, I had to call THEM, only to find out that GC no longer would carry the item.. absolutely stupid.Ok, I'm finished complaining, but I only wanted to share this because I finally just got onto Amazon, ordered my X-Session Pro, and BEFORE Guitar Center had even removed the charge from my credit card, my X-Session was waiting for me at my house...
So Cheers to Amazon and it's excellent Vendors. (this was free standard shipping as well)
As for the Product. What I like? It's VERY VERY light. I can easily take this anywhere I go. Although it's a bit of an awkward shape..the knobs are kind of tall, over all, I'd consider it fairly portable. I would recommend, however, simply throwing in a shirt or some soft cloth material on top of it (that's not going to get fuzzies in the controls) just for some extra padding.
The response is very smooth! I use this with Reason and find the delay time to be very minimal, especially for something that's working with USB.
No power supply needed! This is one of my favorite features for at the home. It's powered through the USB bus. HOWEVER - LAPTOP USERS beware! That means it will drain battery quicker of your laptop when in use, but I can't imagine running any audio software / doing anything serious with this without being stationary / plugged in to your power supply.
Nice Variety of controls. I love my knobs..ohhhhh I love my knobs...I wish I could have 400, but I do like having 12 knobs and 4 faders or whatever. Another note is that the beauty of this USB device is simply being able to program the controls to your likings. For instance, you can program an oscilator to a fader... if that suits your style... so basically you can adjust tempo / levels with knobs or sliders... it's kind of nice to have that kind of variety and freedom.
Overall, there really isn't anything I don't' like about this so far. I don't use the play/stop buttons, perhaps because Reason simply does not support them, but I'm not upset. The reason I bought this was to use the control nobs and sliders and it's perfect for what I wanted.
I am for sure a novice at this stuff, but this is certainly an excellent edition to studio. I'd recommend it to anyone who already owns a keyboard with usb/midi support etc, and doesn't want to pay a ton of money to build their own work station.
:)

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M-Audio Oxygen 25 25-Key USB MIDI Controller Review

M-Audio Oxygen 25 25-Key USB MIDI Controller
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Works great.The keys feel great and the keyboard is easy to set up.I just plugg it into my mac,push the power button on and start up garageband and it work great.No hassel!I recommend this product!

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Akai APC40 Abelton Controller Review

Akai APC40 Abelton Controller
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I've been drooling over this since it was announced, and I am so happy that I finally broke down and bought one. It's a shame that there are no reviews up yet, so let me be the first to say that this controller is amazing. Make sure that you erase any previous midi mapping that you've done and then restart Ableton, and you'll find that it has perfectly automapped itself. At first I thought that it was a little strange that there's no manual included... but after five minutes, I realized that it DOESN'T NEED A MANUAL. That's just how intuitive it is, from top to bottom.
The hardware itself is up to usual Akai standards: the knobs and faders feel weighty and responsive. This thing is both larger and thinner than I thought it would be, but after playing around with it the size feels perfect. The two-way communication is killer- just drop an audio clip into Live and it will instantly appear on the grid, color-coded to match its status. Recording and triggering loops couldn't be easier, and the entire interface perfectly emulates what you're used to seeing on the screen.
In the upper right-hand corner you have control over the pan and sends A through C for tracks 1-8, which is really nice. My only complaint is that I would have preferred to have it become all the sends for whatever track is highlighted, but I'll get used to the new workflow. Part of what makes Ableton Live great is that it accommodates so many different styles of music, so making a universal controller for the program was a bit of a challenge. Akai really stepped up and once you get your hands on it, you'll see what all the hype is about: this really is the be-all and end-all of hardware for the program.
One downside I've found is that navigating the plugins can be sort of clunky. First you highlight a track and then the knobs in the lower right are assigned to the first plugin you've placed there. Then you use the left and right buttons to scroll through each unit, and when you do the knobs reassign themselves to control the appropriate effects. I find that having to click through them all is sort of difficult, but there's nothing stopping me from using the mouse like I used to. I guess the only thing that is stopping me from handing out a 5-star rating is that the APC40 sort of forces you to use the workflow they've designed. Remapping the controls isn't difficult, but everything is laid-out and labeled in such a way that it sort of corrals you into getting used to doing things their way.
This review is starting to look a little long, so I'll just sum it up: I absolutely love this thing. I wish I had picked it up sooner and if you are AT ALL considering this purchase, just do it already. Well-constructed, well-programmed, and absolutely worth the money. Like me, you're probably used to using an assortment of controllers and you're wondering if you need to spend the cash. Well, this thing will replace all of those and more, and you'll quickly get used to the layout. Just do it!

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Working in partnership with software developer Ableton, the Akai APC40 Performance Controller offers a control surface that's specifically designed for performance with Ableton Live software. Designed to be a powerful, intuitive controller for electronic music performance artists, DJs, hip-hop producers and traditional musicians using Ableton Live on stage and in the studio, the Akai APC40 transforms your experience from one of constructing tracks with software on a computer to one of fluid, effortless, musical creation.

Key Features
Designed in partnership with Ableton for Ableton Live
Unique clip matrix with multicolor lighting displays current clip status
No mapping required; every knob, button, and fader is customizable
Bidirectional communication between APC40 and Ableton Live
Solid, professional feel with rugged, metal chassis and premium controls
Comes with Akai APC40 edition of Ableton Live Lite, free upgrade patch for full versions of Live
Works with standalone editions of Ableton Live
Works with most MIDI recording, sequencing, and performance software
USB plug-and-play connection for Mac and PC
Premium controller with rugged, metal chassis

Direct Design Because Akai Professional and Ableton designed the APC40 specifically for Ableton Live, you don't need to map its controls to talk to the software. Just connect your laptop to the APC40 via USB--thanks to its plug and play capabilities, you won't need to install any drivers. It comes pre-mapped for instant use with Ableton Live software, so if you're new to it, you'll find using the APC40 to be easy to get around on. And if you're an experienced Live user, you'll be happy to note that you can custom-map every single knob, button, and fader on the APC40 to completely customize the controls for the way you like to work.
Virtual View Because of the bidirectional communication between the APC40 and Ableton Live software, the APC40 can receive feedback from the software and display it on its clip matrix of 40 triggers and on LED rings surrounding each knob. The clip matrix gives you an instant view of clip status: what's loaded, what's playing, and what's being recorded. Each state displays on the matrix in a different color so you can get a quick picture of clip state. You can shift your clip focus and get an overview of the clips you have loaded for your set.
The APC40 has 16 knobs, each surrounded by a ring of LEDs. These LED rings make it easy to see your settings on dark stages, indicating the currently selected parameters' values.
Premium Feel The APC40 is built with a rugged, metal chassis and slip-proof rubber detailing. All of the knobs and faders are solid and precise for pinpoint performance. It even features a high quality, replaceable crossfader for transitioning between clips and loops assigned to "A" or "B."
Creative Control The APC40 comes with Ableton Live Akai Professional APC40 Edition software, which is fully functional for performance and production. Owners of standalone editions of Ableton Live 7 or 8 can also work seamlessly with the APC40. Live 7 with the latest automatic update has full support for the APC40 and all versions of Live 8 are APC40-ready.
The APC40 has two banks of eight knobs. The first set controls Global parameters so you'll always have instant access to your main sends, pans, and other essentials. The second bank of eight knobs is dynamically reassigned to the Track you select. You can control eight track parameters at a time, and as you switch channels, the Track knobs follow your focus. For example, you might be working with the Beat Decoder on track two. When you switch to track four, the eight Track knobs that you had been controlling the Beat Decoder with are now controlling the Flangeverb on track four. You'll even notice that the settings for each knob load on the light rings so you'll immediately see each knob's status.
The APC40 also enables special clip-status views and feedback that only the APC40's matrix can display. The matrix is not limited to only 40 clips: you can scroll and shift, enabling you to access, control, and perform with an unlimited number of cells.
The APC40 has a wide range of controllers. The eight Global knobs can access four banks of controls; the eight Track knobs control nine different track parameters each. This gives you a massive total of 72 controllers that are dynamically reassigned each time you switch tracks. Channel faders, bus faders, and a crossfader give you smooth control of key values. You have even more control power with special controls including Tap Tempo, Tempo Nudge, record enables, solo/cues, and two assignable footswitch inputs.
Specifications
Dimensions: 16.88 x 13.13 x 2.62 inches (WxDxH)
Weight: 5.8 pounds
Power supply: 12V 2.0A pin-positive, included
Communication: USB-MIDI with proprietary hardware/software handshake
Inputs: USB, Two assignable footswitch inputs
Mac system requirements: G4 or faster/Intel Mac recommended, 512 MB RAM/1 GB recommended, OS 10.3.9, 10.4 or later. recommended, QuickTime 6.5 or higher, DVD-ROM drive, USB port
PC system requirements: 1.5 GHz or faster, 512 MB RAM/1 GB recommended, Windows XP or Vista, Windows-compatible sound card/ASIO driver support recommended, QuickTime 6.5 or higher, DVD-ROM drive, USB port


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Ableton Suite 8 Full Version Review

Ableton Suite 8 Full Version
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I bought Suite 8 to use mainly as a production tool but due to a power surge, my DJ mixer got fried. I had just bought a house and Live 8 was already a big purchase so I was going to be in trouble when it came time to make mixes for my college radio show. Turns out Live is a tool that I have always wanted. I started playing wth Tension etc. and found every one of them to be more than impressive for sound design but what really blew me away is how Live makes it possible to make blends that are technically impossible. If I have an idea, 99% of the time I can make it happen. As a college radio DJ, I have complete freedom to play whatever I want so anything goes. I actually mixed En Vogue's "Never Gonna Get It" with Nancy Sinatra's "These Boots Are Made For Walking" seamlessly which would be impossible with just the standard DJ setup. The best part is, when I do replace my mixer I can split up the tracks and actually cut them up myself with Serato. With "The Bridge" on the horizon, Live will probably become as essential as a turntable for me as a DJ. I know a few DJ's who think the digital revolution is bad and makes it so anyone can become a DJ, but really it depends on your level of creativity. If you want to just mix records and "Flash", you don't need this but if you want to do the impossible and flip intros and songs around on the fly....
I recently upgraded from Tiger to Snow Leopard which was causing Live and Garage Band to crash but within 2/12 days and three emails, Abletons tech support was able to solve the problem for both!!! This problem was related to Melodyne needing to be updated and I couldn't find any info on the internet. Excellent tech support!!!!
I can't wait until I have more time to delve into the real meat of the program but from what I've seen so far, I'll be blown away many times over. If you decide to get it, my only advice is to watch a tutorial on youtube, try it in Live and then go back and forth until it sinks in. Live has an initially confusing layout, but it becomes second nature quickly. Don't be intimidated.

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Livid Instruments Block MIDI Control Surface Review

Livid Instruments Block MIDI Control Surface
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I cant stress enough that this controller is not for those people who just want to "plus in and play" or even just to map it to Ableton. However if you're like me and you're going to use it for max/msp then this is really quite awesome. The support for this thing is pretty fantastic all the max/msp sources for their standalone editors are on their site. The thing runs solely off the usb port which makes set up quite easy. You can edit the LEDs on the block by just sending a combination of 144, 0-63, 60 or 0 in a message which really opens up the aesthetics of this controller. I've been playing with it for a month or so now and I've been very happy with the look and feel of this controller. I would say that if you have the money spring for the OHM64, just because 8 knobs and 2 sliders has been rather limiting but that has been my only complaint about this device!

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M-Audio Keystation 49e 49-Note USB MIDI Controller Keyboard Review

M-Audio Keystation 49e 49-Note USB MIDI Controller Keyboard
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As somebody who does all of my music recording and editing using software, I was looking for something with the right features for what I do. If you're familiar enough with your software, this keyboard will do the job. However, it has several short-comings.
First, the keys are very "springy". They actually resist depression more than one would expect. Although the keyboard is velocity-sensitive, the "springiness" actually makes it difficult to control the sensitivity. If you've played on better keyboards, or have never played on a velocity-sensitive keyboard, it will require some "re-learning". Also, 49 keys has a disadvantage in that an entire octave is missing as compared to larger keyboards. Having moved from a 61 key to a 49 key keyboard, you realize how important the additional octave is. However, you can shift the pitch an entire octave using the dedicated keys.
This controller lacks a display. Higher-functions (such as changing MIDI channels or programs) are accessed by pressing an advanced button and one of the keyboard's keys. This requires consulting the manual, especially when you need to do something you don't do on a regular basis. On a positive note, you can assign the volume slider and modulation wheel to any controller you choose, which is helpful for controlling pan, portamento, breath, or any other effect. You can also change the functionality of the "octave" keys, so that you can change the selected program(sound) incrementally. This can be extremely confusing at times -- I plan on cutting and pasting sections of the manual directly onto the unit's body for easy reference.
If using USB, the keyboard requires no power supply. There is a small power switch located on the back of the unit, however, which must be turned on in order for the PC to recognize the USB device. I often find myself forgetting to turn it on. The dedicated MIDI out jack is handy for connecting to legacy MIDI equipment, but since no power supply is included, you'll need to find your own universal adapter. However, using USB means I have one less thing to plug into the power strip.
The unit has significant weight, more than I thought it would have. It's definitely a sturdy unit. But this definitely isn't the best of the lot; it will do the job of a "controller" for under $100. Recommended -- "yes" -- but only if you have a little patience and prior knowledge of MIDI, MIDI controllers, and keyboards.

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Novation Launchpad Ableton Live Controller Review

Novation Launchpad Ableton Live Controller
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I have owned one of these for four months and have gotten a good grasp of its relative strengths and weaknesses. The Launchpad is a natural extension for Live's Session View. There is just enough visual information implanted on the interface for you to identify clips easily. The User1 User2 modes are great for a few MIDI triggers but lack any serious expression as the pads themselves aren't velocity sensitive. The mixer mode might be useful for some but I never touch it due to the limited resolution of expression and the immediacy required for their proper function (if minimalism is your goal in this department, seek the Korg nanoKONTROL USB Controller, Black). The saving grace, outside of its Session mode, is the user created software. The Launchpad has been transformed into a monome like device, a visual harmonic table, a step sequencer and a few other creative apps that are hard to describe in a concise fashion. When loading Live 8.1.1 (Vista) the Launchpad will sometimes not be detected and will need to be replugged into the USB port and Live restarted (it only seems to happen less than 3% of the time).
Physically the device seems sturdy 'enough' it has fallen a few feet onto a rug a couple times but I wouldn't call it 'road worthy' since it's still made of plastic. The pads have a nice soft rubber texture though kinetically clunky when being pressed dead center. There is a decent amount of give on the pads before it triggers but in practice it isn't a big deal especially without velocity sensitivity. The LED lights aren't entirely uniform in brightness and color. You might receive a unit with a few slightly brighter pads or ones that display more red but it's only noticeable when all pads are lit up of the same color.
I don't know of any other open grid interface device that comes close to its price which probably explains the $199 price tag. Regardless of the competition, the Launchpad feels more like a $100-$150 device (due to aforementioned limitations of the device). When all said and done, I would buy one again if I had to. There isn't anything on the market right now at this price for the utility you gain from having it. The Akai APC40 Abelton Performance Controller might be an alternative solution if you don't have any other control devices for Live and don't need its alternative functions or its minimalism.

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The compact Novation Launchpad is designed to give electronic music makers the most interactive experience possible in Ableton Live. Jointly designed by Ableton and Novation, Launchpad communicates bi-directionally with the software to give you real-time session feedback. With a multi-color 64-button grid and dedicated scene launch buttons, Launchpad can trigger and manipulate clips in Live as well as provides a totally new way of controlling Ableton Live's mixer. Launchpad's buttons can be used to sketch out beats with drum racks, and they can be assigned to other functions in Live using Ableton's Learn mode.
The device is bus-powered from a single USB connection, and has a ten-inch square desktop footprint. Rubber feet ensure Launchpad stays secure on the surface on which it's placed, and an optional padded neoprene travel sleeve is available. The Launchpad ships with a dedicated Launchpad edition of Ableton Live 8, but it can also control almost any other music software using Novation's award-winning Automap control software. It's compatible with both Mac OS and Windows operating systems.

Key Features
Launch clips and scenes: Launchpad's 64-button grid and dedicated scene launch buttons are ideal for launching and controlling your clips and scenes.
Innovative control over your mix: Including volume, pans, sends, track arming, soloing and muting. Launchpad lets you jump to different levels across eight channels at once.
Sketch out beats: Launchpad can be used to play drum racks, creating beats and triggering samples in real time.
Controlling other functions Launchpad can be used to control other functions using Ableton's 'Learn' mode. This includes Ableton's knobs and faders, which can be assigned to rows of buttons on Launchpad.
Multiple unit operation: Connect up to 6 Launchpads at a time. Expand your grid with multiple Launchpads, or have one Launchpad dedicated to mixer mode, and the other to launching clips.
Expand your Ableton control solution: Novation's Automap-enabled controllers work seamlessly together--a ZeRO SL MkII to control the mix, whilst Launchpad triggers clips.
Automap-enabled: Launchpad can control other DAWs and plug-ins using Novation's Automap control software. Automap can assign controls to software parameters on VST/AU/RTAS/TDM plug-ins by simply clicking on them, and touching a controller.
See what you're triggering: Automap provides a customizable heads-up transparent display across your computer screen. Ideal for seeing at a glance samples that you're about to trigger.
QWERTY keyboard shortcuts: Automap PRO, an optional upgrade available to purchase online, lets you assign almost any computer keyboard shortcut, and combinations thereof, to Launchpads buttons.
Old-school MIDI control: Utilizing Automap, Launchpad can operate as a standard MIDI controller, creating custom MIDI maps with 72 of its buttons transmitting either CC or MIDI note data.
Flexible trigger platform for Max MSP and Reaktor programmers: Programmers can utilize variable brightness and multi-color LED states to their full advantage when designing new and innovative tools in Max MSP and Reaktor.
Launchpad and Max for Live: Max is a visual programming environment that allows you to custom build instruments and effects. Launchpad can be used to control these instruments. For example, parameters on Max for Live's step sequencer can be triggered using Launchpad's buttons. Launchpad gives you a huge amount of visual feedback. Multiple colors and brightnesses across different buttons display visual information about whether the note is on, the velocity, note length, pitch, and whatever else you want to see.

What's in the Box Launchpad, USB cable, DVD-ROM with Ableton Live 8 Launchpad Version (Mac and PC installers) and 1 GB of Loopmaster sample content
Specifications
Physical Controls and Indicators:
64 (8x8 grid) square multi-color backlit buttons
8 round multi-color backlit system buttons (assignable)
8 round multi-color backlit function buttons (not assignable)

Connectivity: USB 1.1
Mac system requirements: Mac OS X 10.4 or later; Intel Mac or G4 and higher processor
Windows system requirements: Windows XP or Vista; 1.5 GHz or faster processor; 512 MB of RAM (1 GB recommended)
Dimensions: 9.45 x 9.45 x 0.79 inches (WxDxH)
Weight: 25 ounces (1 pound, 9 ounces)


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