Showing posts with label djs. Show all posts
Showing posts with label djs. Show all posts

Pyle PADH152 15" 8-WAY Pa Speaker Review

Pyle PADH152 15 8-WAY Pa Speaker
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i just got this speakers yesterday(very fast delivery by the way)and as soon as i got them out the box i hooked these monsters to my amp and boy!! the sound fantastic!! very powerfull bass and clear highs, this speakers will sound very good if you use an equalizer, im running these speakers with a peavy 2000 watt amp. thank you amazon!!!

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Pyle PADH215 2000W Heavy Duty Speaker MDF Construction with Reinforced Corners Review

Pyle PADH215 2000W Heavy Duty Speaker MDF Construction with Reinforced Corners
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For the money, these are hard to beat. While the manufacturer suggests 1000 watts RMS, 2000 watts Peak, don't confuse this rating with a pro series JBL, EAW, etc., of similar rating. While this speaker is impressive, it's not to be confused with a $700 speaker cabinet.
Actually it's quite light weight. It can be lifted easily due to the lighter grade cabinet material, and modest internal components. Obviously the drivers don't equal those found in other brands, but Pyle it makes up for it in this particular model with quantity. In this case, more is merrier. Because they are generously rated high whether it's accurate or not, they do need to be driven hard in order to get a full sound and for the bass to become rich and thumping. I don't like volume maxed out all the time so I was able to make up for this deficiency through my outboard processing in my rack. An Aphex Aurial Exciter really makes things things come alive. An EQ alone won't do it. The mesh grill covering the cabinet is not the hardened steel you would hope for. One minor ding and the grill is dented for sure. You can push the grill in with two fingers. The material covering the enclosure is not heavy duty, but it does the job and looks very nice. It's not like an automotive carpet you'll find on Cerwin Vegas. More of a soft, fuzzy, but dense fabric material. But it is durable and will take plenty of hits. The 17" midrange horn, again, is not super heavy duty. The horn housing is much thinner plastic than you'll find on other brands. Meaning that if these fall over face first, the horn housing may very well crack. However the horn is somewhat protected by the cabinet design that protrudes just below and above the horn. One major draw back is the fact that you can't bypass the internal crossover if you wanted to bi, or tri-amp. I pair these towers up with an additional pair of Pyle PASW18" sub enclosures. The 18's are just a bit wider so the PADH215 sits nicely on top with a little room to spare. So for me, on each side of the stage I got an 18" sub, dual 15's, mid horn, & piezo highs. And I would love to be able to tri-amp this system without modification. So for right now I simply run everything in series parallel. But I have to be careful not to overdrive the amp. Even still, as is with my system, it flat out will rumble a very large banquet room or hall. I use it for DJ, & a live rock band as well.
One great thing about Pyle, should you need to repair the cabinet at anytime, they have all the individual components and parts at an affordable price. Unlike other manufacturers that stick it to you with replacement parts.
In conclusion, I definitely think for $500/600 for a pair of these things is indeed a good value. Far less than the price of a single cabinet of another major brand of similar configuration. Just remember, it needs to be processed to bring out the fullness. And if you do blow up a component, it won't cost you an arm and a leg for repair.

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Bose L1 Compact Portable Line Array System Review

Bose L1 Compact Portable Line Array System
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I am a professional mobile DJ in the Pittsburgh area, and I rely primarily on the Bose? L1 Model II sound system (with two B1? bass units) for my performances. When I need extra boost, I expand my sound by adding a Bose? L1 Classic sound system (the original L1 system) and two more B1? bass units to my Model II system.
However, there are times when I don't need the "muscle" of the full system, such as small venues for birthday parties, outdoor wedding ceremonies, etc. For that, the Bose? L1 Compact sound system is perfect! It will provide excellent sound for 100-150 people. It is an amazingly fast setup and tear-down, and it is light enough to be truly portable. Completely set up, it weighs just 29.2 pounds, so it is great for those tough small venues that have limited space, limited access, stairs, etc.
The sub-bass sound is built into the bottom unit, and there are 1/4" jack inputs for your sound source. The unit is designed to work with the T1 ToneMatch? sound engine (mixer with many presets that can contour the sound nicely). If you are using the ToneMatch, however, be advised that you will have to purchase a power adapter for the ToneMatch. (The ToneMatch is powered from the pedestal base amplifier of the Model II?, but the L1 Compact? will not power the ToneMatch.)
The midrange sound comes from a small, narrow enclosure containing six small speakers/drivers placed at precise angles to deliver sound at a 178-degree "throw" left and right. The sound WILL cover a large area evenly, which is great for those times when the sound has to be softer (dinner music, pre-ceremony music for weddings, etc.). Everyone in the coverage area hears the music at the same volume, which avoids the problem of traditional speaker systems (really loud near the speakers but diminishing volume as you get further away). I was very skeptical of this feature when I first heard about the even sound coverage, but a year and a half of using the Bose? L1 systems has made me a believer. It's sweet!
Another nice feature is that there is a 1/8" stereo input jack for iPods (also works well when sending sound directly from your headphone output of a laptop). This lends a great deal of versatility to the system.
Example 1: I did a wedding reception recently where the father of the bride had a DVD he wanted played after dinner and projected onto a large screen. The location of the LCD projector was quite a distance from my main table, and the hall had not provided for the sound of the DVD show. I brought in the Bose? L1 Compact system and set it up next to the projection table, connecting the sound directly from the laptop that was running the DVD to the Compact system using a 1/8" to 1/8" stereo jack from the laptop to the iPod input on the Compact. The sound was perfect! Far better than any portable speaker system I have heard in the past from photographers/videographers who bring portable sound with them for their PowerPoint shows. It was a simple one-cable connection without anything else.
Example 2: I did wedding ceremonies both outside and inside for crowds of about 150 people or so using the Compact system. I ran all the music from my MacBook Pro through the ToneMatch?. I also connected two Shure wireless mics through the ToneMatch as well (one on the officiant, and one on the groom, which picked up the bride as well.) Additionally, I connected my Sennheiser wireless handheld (for any "emergency" announcements that might have been necessary) through the ToneMatch. This was a more complex setup that involved power for three microphones, one laptop, and the Compact System?.
For both applications, the Compact? delivered great sound and covered the area perfectly. I could not have asked for better sound.
There are two "sides" for input. One side is for line inputs (from mixer, musical instrument, iPod, laptop, ToneMatch?, etc.), and the other side is for a microphone input. Each side has its own volume control, which is crucial if you're a single performer. You can set your voice and instrument levels perfectly. As a DJ, though, I do not use the microphone side, so I cannot comment on how well the two sides work for single performers.
There are two official setups for the L1 Compact?. One setup is to leave the speaker in the base unit (the way it arrives). You would have to put this on a table for good sound coverage. If you used it from floor level, the sound would be muddy. This setup would be perfect if you are supplying the sound system for a keynote speaker at a conference, as an example. The unit could sit on the table next to the podium where the speaker is standing, and the sound the audience would hear would be fabulous--VERY crisp and clean.
The second official setup is to use the two extender sticks to elevate the speaker unit about six feet off the ground, which is the way you would want to set up the unit for full-room coverage for music, especially if there will be dancers!
I saw the unit being used with only one of the extender sticks, which put the speaker unit at "head level" for a seated audience. I don't know why you would use that setup, but it works fine that way (the extender sticks are identical, so there doesn't seem to be any reason you CAN'T use this setup.) Be advised, though, that Bose? does not recommend this setup.
So let's get to the bottom line:
PROs: Compact, portable, sleek. Easy setup with a tiny footprint. Great sound for what it is, delivering full bass, midrange, and highs for up to 150 people. Excellent choice for small venues, whether you are a DJ or a single performer. Great system for speakers at business meetings, conferences, church groups, etc. The sound is crisp, clean, and clear. The bass is far better than anything of comparable size, and the quality of the unit is excellent. This system is what I use for my backup system (to the L1 Model II?). It doesn't take up much space in the car, and if something WERE to happen to my L1 Model II? system during a performance, then I have a better backup system than 99% of the DJs out there.
CONs: While the bass response is very good for the size of the system, it cannot really compare to using two Bose? B1 units with a Model II system. THAT system can provide a chest-thumping bass resonance, but this system would be hard-pressed to do that. Don't get me wrong here: the bass response is very good, but it isn't what you would want for a larger venue where the bass has to carry out all over the area. And, as one should know right up front, it is NOT a unit for larger venues. It is fine for small areas, but if you have a louder, noisier, larger area, the Compact system would not be up for the task.
BOTTOM LINE: If you want terrific sound from a light, portable unit for a small venue, this system can't be beat! If you want a high quality backup system for your main sound system, it would be tough to get a better system with a better sound. If you play larger venues with noisy crowds or if you need a driving bass sound to resonate throughout the venue, then consider another alternative. (And remember, if you use a ToneMatch? sound engine with this, you have to buy the power adapter.)
RATING: Four stars because of its intrinsic limitations. It cannot be a system for a larger venue for 150-200 or more people, but it can be your answer for smaller venues and smaller crowds.
For what it is, though, it is Super!
NOTES:
* Response to reviews: Another reviewer here has stated that there are plug-ins for only voice and guitar, but that is inaccurate (see above for input variety). And as for effects such as reverb, delay, and other effects, those can be created nicely with the Bose? T1 ToneMatch audio engine, as stated above.
* The bass response difference I mentioned above between the Model II and the Compact units is approximately one half octave at the low end, according to Bose. Many people cannot hear the difference, but trained ears can. The limited power and bass response are the reasons I could not give five stars. Still, all in all, a great product!

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Ableton Suite 8 Full Version Review

Ableton Suite 8 Full Version
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I bought Suite 8 to use mainly as a production tool but due to a power surge, my DJ mixer got fried. I had just bought a house and Live 8 was already a big purchase so I was going to be in trouble when it came time to make mixes for my college radio show. Turns out Live is a tool that I have always wanted. I started playing wth Tension etc. and found every one of them to be more than impressive for sound design but what really blew me away is how Live makes it possible to make blends that are technically impossible. If I have an idea, 99% of the time I can make it happen. As a college radio DJ, I have complete freedom to play whatever I want so anything goes. I actually mixed En Vogue's "Never Gonna Get It" with Nancy Sinatra's "These Boots Are Made For Walking" seamlessly which would be impossible with just the standard DJ setup. The best part is, when I do replace my mixer I can split up the tracks and actually cut them up myself with Serato. With "The Bridge" on the horizon, Live will probably become as essential as a turntable for me as a DJ. I know a few DJ's who think the digital revolution is bad and makes it so anyone can become a DJ, but really it depends on your level of creativity. If you want to just mix records and "Flash", you don't need this but if you want to do the impossible and flip intros and songs around on the fly....
I recently upgraded from Tiger to Snow Leopard which was causing Live and Garage Band to crash but within 2/12 days and three emails, Abletons tech support was able to solve the problem for both!!! This problem was related to Melodyne needing to be updated and I couldn't find any info on the internet. Excellent tech support!!!!
I can't wait until I have more time to delve into the real meat of the program but from what I've seen so far, I'll be blown away many times over. If you decide to get it, my only advice is to watch a tutorial on youtube, try it in Live and then go back and forth until it sinks in. Live has an initially confusing layout, but it becomes second nature quickly. Don't be intimidated.

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