Showing posts with label apc40. Show all posts
Showing posts with label apc40. Show all posts

Akai APC20 Compact Ableton Controller Review

Akai APC20 Compact Ableton Controller
Average Reviews:

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When I first saw a DJ at the San Diego Media Arts Center using this thing at a laptop jam, I thought it was incredible... but when he told me the price he paid on Amazon I thought it was doubly incredible. If you already have Live, the APC20 is a bargain by itself. But if you don't have Live, this package is TRIPLY icredible since it comes with an almost fully functional version (much more functional than standard Live Lite) thus saving you hundreds of bucks! I think the software alone would be worth the price for someone like me... a dabbler without deep pockets.
Caveats & Quibbles
I run XP and had trouble with drivers, but I got a quick helpful response from Akai support. I also had some VST plug-in hangups. They seemed to resolve themselves when I uninstalled and reinstalled. If that doesn't work for you, finding which plug-in is causing the problem can be tedious.
The included USB wire was kinda short (maybe 3 feet). And the USB doesn't power the APC20; you need to plug in an additional wire to a power source.
The biggest potential problem... once you fire up this sucker you can kiss normal life good-bye. You'll be lost for hours playing with infinite push-button permutations of polyphonic pow-ah!


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UDG Creator Serator Record Sleeve - Black Review

UDG Creator Serator Record Sleeve - Black
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These were hard to come by for a while, but worth the wait. I wouldn't carry it to a gig with just one set of vinyl-it's much more rigid when it's full. Individual slots hold all the control vinyl you'd ever need at a gig. Keep your eye on it-cool stuff that says "Scratch Live" on the outside tends to disappear in a club...

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BEHRINGER BCF2000 USB MIDI RECORDING+MIXING CONTROLLER Review

BEHRINGER BCF2000 USB MIDI RECORDING+MIXING CONTROLLER
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For this price you will not find another control surface with this flexibility. I've got it controlling Adobe Audition 3 and it is working flawlessly. My ratings for ease of use and features are relative to the price.
Programming the unit is not as simple as some would have you believe, although you can find presets online for most DAWs and I found a template detailing what the default functions are for AA3. Easy to get up and running and with a little googling its simple to figure out what you need to. I would buy it again and have recommended it to everyone I know who has a similar setup at home.
mhlavinatgmaildotcom

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Akai APC Bag Review

Akai APC Bag
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This is one of those things I held off on buying for a while, making do with messenger bags, etc. Problem with messenger bags is that they aren't usually padded, and they let stuff slide around too much. The APC40 with it's knobs and sliders really needs to be protected, and this does it very well. The exterior of the bag is a nice, heavy ballistic nylon, industrial-looking but soft to the touch. I was curious how it would actually look, because the product photos make it look lie shiny ripstop. This is more luggage quality, like a Tumi suitcase. The inside of the bag is red microfiber on the bottom (where the base of the APC sits) and eggcrate foam on the lid where it contacts the aforementioned knobs & sliders. There is a second zippered compartment that looks like it should hold a 17" MacBook Pro without a problem (room to spare with our 13"), and a zippered pocket for power supplies, USB cables, etc. We've squeezed the UDG Creator Serator Record Sleeve - Black into the laptop section before and it fits fine, but you can't zip the top. Overall, nice gig bag or storage alternative.

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Akai APC40 Abelton Controller Review

Akai APC40 Abelton Controller
Average Reviews:

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I've been drooling over this since it was announced, and I am so happy that I finally broke down and bought one. It's a shame that there are no reviews up yet, so let me be the first to say that this controller is amazing. Make sure that you erase any previous midi mapping that you've done and then restart Ableton, and you'll find that it has perfectly automapped itself. At first I thought that it was a little strange that there's no manual included... but after five minutes, I realized that it DOESN'T NEED A MANUAL. That's just how intuitive it is, from top to bottom.
The hardware itself is up to usual Akai standards: the knobs and faders feel weighty and responsive. This thing is both larger and thinner than I thought it would be, but after playing around with it the size feels perfect. The two-way communication is killer- just drop an audio clip into Live and it will instantly appear on the grid, color-coded to match its status. Recording and triggering loops couldn't be easier, and the entire interface perfectly emulates what you're used to seeing on the screen.
In the upper right-hand corner you have control over the pan and sends A through C for tracks 1-8, which is really nice. My only complaint is that I would have preferred to have it become all the sends for whatever track is highlighted, but I'll get used to the new workflow. Part of what makes Ableton Live great is that it accommodates so many different styles of music, so making a universal controller for the program was a bit of a challenge. Akai really stepped up and once you get your hands on it, you'll see what all the hype is about: this really is the be-all and end-all of hardware for the program.
One downside I've found is that navigating the plugins can be sort of clunky. First you highlight a track and then the knobs in the lower right are assigned to the first plugin you've placed there. Then you use the left and right buttons to scroll through each unit, and when you do the knobs reassign themselves to control the appropriate effects. I find that having to click through them all is sort of difficult, but there's nothing stopping me from using the mouse like I used to. I guess the only thing that is stopping me from handing out a 5-star rating is that the APC40 sort of forces you to use the workflow they've designed. Remapping the controls isn't difficult, but everything is laid-out and labeled in such a way that it sort of corrals you into getting used to doing things their way.
This review is starting to look a little long, so I'll just sum it up: I absolutely love this thing. I wish I had picked it up sooner and if you are AT ALL considering this purchase, just do it already. Well-constructed, well-programmed, and absolutely worth the money. Like me, you're probably used to using an assortment of controllers and you're wondering if you need to spend the cash. Well, this thing will replace all of those and more, and you'll quickly get used to the layout. Just do it!

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Working in partnership with software developer Ableton, the Akai APC40 Performance Controller offers a control surface that's specifically designed for performance with Ableton Live software. Designed to be a powerful, intuitive controller for electronic music performance artists, DJs, hip-hop producers and traditional musicians using Ableton Live on stage and in the studio, the Akai APC40 transforms your experience from one of constructing tracks with software on a computer to one of fluid, effortless, musical creation.

Key Features
Designed in partnership with Ableton for Ableton Live
Unique clip matrix with multicolor lighting displays current clip status
No mapping required; every knob, button, and fader is customizable
Bidirectional communication between APC40 and Ableton Live
Solid, professional feel with rugged, metal chassis and premium controls
Comes with Akai APC40 edition of Ableton Live Lite, free upgrade patch for full versions of Live
Works with standalone editions of Ableton Live
Works with most MIDI recording, sequencing, and performance software
USB plug-and-play connection for Mac and PC
Premium controller with rugged, metal chassis

Direct Design Because Akai Professional and Ableton designed the APC40 specifically for Ableton Live, you don't need to map its controls to talk to the software. Just connect your laptop to the APC40 via USB--thanks to its plug and play capabilities, you won't need to install any drivers. It comes pre-mapped for instant use with Ableton Live software, so if you're new to it, you'll find using the APC40 to be easy to get around on. And if you're an experienced Live user, you'll be happy to note that you can custom-map every single knob, button, and fader on the APC40 to completely customize the controls for the way you like to work.
Virtual View Because of the bidirectional communication between the APC40 and Ableton Live software, the APC40 can receive feedback from the software and display it on its clip matrix of 40 triggers and on LED rings surrounding each knob. The clip matrix gives you an instant view of clip status: what's loaded, what's playing, and what's being recorded. Each state displays on the matrix in a different color so you can get a quick picture of clip state. You can shift your clip focus and get an overview of the clips you have loaded for your set.
The APC40 has 16 knobs, each surrounded by a ring of LEDs. These LED rings make it easy to see your settings on dark stages, indicating the currently selected parameters' values.
Premium Feel The APC40 is built with a rugged, metal chassis and slip-proof rubber detailing. All of the knobs and faders are solid and precise for pinpoint performance. It even features a high quality, replaceable crossfader for transitioning between clips and loops assigned to "A" or "B."
Creative Control The APC40 comes with Ableton Live Akai Professional APC40 Edition software, which is fully functional for performance and production. Owners of standalone editions of Ableton Live 7 or 8 can also work seamlessly with the APC40. Live 7 with the latest automatic update has full support for the APC40 and all versions of Live 8 are APC40-ready.
The APC40 has two banks of eight knobs. The first set controls Global parameters so you'll always have instant access to your main sends, pans, and other essentials. The second bank of eight knobs is dynamically reassigned to the Track you select. You can control eight track parameters at a time, and as you switch channels, the Track knobs follow your focus. For example, you might be working with the Beat Decoder on track two. When you switch to track four, the eight Track knobs that you had been controlling the Beat Decoder with are now controlling the Flangeverb on track four. You'll even notice that the settings for each knob load on the light rings so you'll immediately see each knob's status.
The APC40 also enables special clip-status views and feedback that only the APC40's matrix can display. The matrix is not limited to only 40 clips: you can scroll and shift, enabling you to access, control, and perform with an unlimited number of cells.
The APC40 has a wide range of controllers. The eight Global knobs can access four banks of controls; the eight Track knobs control nine different track parameters each. This gives you a massive total of 72 controllers that are dynamically reassigned each time you switch tracks. Channel faders, bus faders, and a crossfader give you smooth control of key values. You have even more control power with special controls including Tap Tempo, Tempo Nudge, record enables, solo/cues, and two assignable footswitch inputs.
Specifications
Dimensions: 16.88 x 13.13 x 2.62 inches (WxDxH)
Weight: 5.8 pounds
Power supply: 12V 2.0A pin-positive, included
Communication: USB-MIDI with proprietary hardware/software handshake
Inputs: USB, Two assignable footswitch inputs
Mac system requirements: G4 or faster/Intel Mac recommended, 512 MB RAM/1 GB recommended, OS 10.3.9, 10.4 or later. recommended, QuickTime 6.5 or higher, DVD-ROM drive, USB port
PC system requirements: 1.5 GHz or faster, 512 MB RAM/1 GB recommended, Windows XP or Vista, Windows-compatible sound card/ASIO driver support recommended, QuickTime 6.5 or higher, DVD-ROM drive, USB port


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