Average Reviews:
(More customer reviews)If you play live and your band is constantly complaining that they can't hear themselves in the mix, this is the perfect product to solve that. Lets back up...if you are a vocalist trying to hear yourself or to do harmonies, it is almost impossible if all you have is the main mix in your phones. This device allows you to take, say, the direct feed from your vocal channel and plug it into a stereo input...for each channel. The three singers in my band each have an output that they are able to mix into the main mix. The result: "more me" since my vocals are boosted above the other vocals and instruments. And you can't believe how much better you can sing when you can actually hear yourself.
Of course, the other vocalists can hear you too, but they can mainly hear themselves, so everybody can sing their parts without getting disoriented by the other vocalists
You get two stereo inputs for all the channels, and you can mix them together, so you could theoretically have a backing track mix on A and a click track on B. If the drummer needs the click, mix heavy toward B. If you are a singer and dont need to hear the click, mix heavy toward A. Then, boost your own personal direct signal from the mix board so that your vocals stand head and shoulders above the other stuff. NOW you can hear!!!
This is one of those products I'm constantly inventing in my head that don't exist, except that this one does, and with more features and flexibility than I ever would have imagined. Plenty of volume in the headphones, nice clean sound, and you can hook up six headphones to this thing, each with individual A/B track mix and "more me" mix input. Pricey, but worth it. This thing is a game changer. As the guy who usually gets the middle David Crosby part in the harmony matrix, I no longer get confused, off pitch, or lost. Bring it on...I can sing ANYTHING now...
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"Turn my headphones up!" "More me, I can't hear myself!" "Turn down that click!" It gets old. Change that tune with the HP60 headphone distribution system. The HP60 is more than just a half-dozen headphone amps, it's a field-tested solution to a host of common headphone-monitoring problems. Let's start with "turn my headphones up." Each of the HP60's six headphone amps has its own level control and puts out 150 mW, which is loud enough to drive the alligators out of the Louisiana swamps. If they can't hear this headphone system, they're stone deaf. More likely they'll scream, "turn it down, you're killing me!" Problem solved. Now let's solve "turn down that click." The HP60 features two sets of line-level, stereo inputs that are routed to all six headphones, a Mix control that sets their relative levels for each headphone output, and a mute switch for each headphone. So you can feed the main control-room mix to channel A and the click to channel B and use the Mix controls to individually raise or lower the click relative to the main mix for each musician. Problem solved. As for "more me," in addition to the two pairs of main stereo inputs, you get an external stereo input pair with level control for each headphone channel. A Mono switch lets you sum the left and right inputs. So you can send each of the whiners a feed of just their instrument or voice and can control the level separately for each. Problem
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